"In this study we shall treat in detail some twelve houses, built and occupied by four generations of one Virginia family [Coles]." - P. 1.

Southern plantations are an endless source of fascination. That’s no surprise since these palatial homes are rich in history, representing a pivotal time in U.S. history that truly is “gone with the wind.” With the Civil War literally exploding all around, many of these homes were occupied either by Confederate or Union troops. Nowhere else in the south were plantations so affected by the nation’s bloodiest war than in Virginia. At times, families fled, leaving behind slaves to manage the property. There are still more than 60 plantations in Virginia today, most of them open to the public. Some have been restored, others undergoing that process. If only the walls could talk, the stories we might hear! That’s what we hope to bring into this book on The Plantations of Virginia. We’ll take the tours and talk to the guides and dig even further if there is more to discover. We hope that travelers will be enlightened before they travel to Virginia, their visits will thus be enriched, and that residents will equally love exploring this deep history of Virginia. Accompanying the text will be photographs, taken by one of the authors, showing, in all their splendor, the exteriors of these plantations, as well as areas of interest inside the buildings.

Bruce Roberts takes us on a photographic tour of fourteen of the famous colonial Virginia plantation houses nestled along the shores of the Lower James River from Richmond east to Jamestown and Williamsburg. Now carefully restored, often with the original furnishings, these houses are glorious monuments to a bygone era. If you have never visited the James River plantations, this book will inspire you to plan a trip there. If you have, you will find this book a wonderful memento of a special place. Robert's 141 color photographs capture the magnificent exteriors of the houses, as well as their gardens and grounds, and offer rare and intimate glimpses of their interiors and furnishings. The plantations portrayed include Shirley Plantation, one of the oldest in America; Belle Air Plantation, with its unique seventeenth-century frame house containing America's finest Jacobean staircase; and Westover Plantation, site of the elegant Georgian home built by William Byrd II. The text provides histories of the plantations, presenting them as places where real people lived and worked -- and still do, in many cases. While the plantations share some common history, each reflects the individual characteristics of the men, women, and children who lived there. In the dining room at Berkeley Hundred, George Washington, Thomas Jefferson, and eight other presidents enjoyed meals and discussed affairs of state. At Carter's Grove, Roberts photographed the "Refusal Room," where, according to local history, both Washington and Jefferson were refused in marriage by Virginia belles. Today many of the plantation homes have been designated state and national historic sites, and with this book you can visit them and relive four hundred years of history.

Describes 27 homes in Virginia from Toddsbury built around 1690 to Woodside Farm built in 1850 with color photographs and histories of the families who live in them.

For more than thirty years, the architectural research department at Colonial Williamsburg has engaged in comprehensive study of early buildings, landscapes, and social history in the Chesapeake region. Its painstaking work has transformed our understanding of building practices in the colonial and early national periods and thereby greatly enriched the experience of visiting historic sites. In this beautifully illustrated volume, a team of historians, curators, and conservators draw on their far-reaching knowledge of historic structures in Virginia and Maryland to illuminate the formation, development, and spread of one of the hallmark building traditions in American architecture. The essays describe how building design, hardware, wall coverings, furniture, and even paint colors telegraphed social signals about the status of builders and owners and choreographed social interactions among everyone who lived or worked in gentry houses, modest farmsteads, and slave quarters. The analyses of materials, finishes, and carpentry work will fascinate old-house buffs, preservationists, and historians alike. The lavish color photography is a delight to behold, and the detailed catalogues of architectural elements provide a reliable guide to the form, style, and chronology of the region's distinctive historic architecture.