"Seldom does a book take readers so powerfully inside war crimes--both into the pain of the victims and, even more chilling, into the minds of the perpetrators. In a Washington so timid about supporting the international institutions designed to prevent such horrors, this book should be mandatory reading."--Adam Hochschild, author of King Leopold's Ghost: a Story of Greed, Terror and Heroism in Colonial Africa "This searing documentary takes those large abstractions--ethnic cleansing, crimes against humanity--and confronts us with the anguishing reality: the faces of the alleged killers and their victims, stories of shattered families, desolation of a ruined community. The book is also a stunning example of careful, determined pursuit of evidence by frontline human rights workers, our best hope for accountability and justice in the wake of systematic evil. This unparalleled account thus records the worst--and the best--of human capacities."--H. Jack Geiger, M.D., founding member and past president of Physicians for Human Rights "Marshalling precision in the face of obfuscation, clarity in the face of desolation, and lucidity in the face of oblivion, the authors and creators of A Village Destroyed have somehow managed to meld witness and majesty. Truth is beauty--sometimes the only solace left to us--and this is a harrowingly beautiful book."--Lawrence Weschler, author of A Miracle, A Universe: Settling Accounts with Torturers "Gilles Peress's photographs take us where we have never gone before: into the killing zones of Kosovo where ethnic Albanians were tortured, executed, robbed, and driven from the land. Here is an astounding record that will make it impossible for us to say that we never knew what happened in Kosovo or how."--Gloria Emerson, author of Gaza: A Year in the Intifada "A Village Destroyed is a very important book, offering a revealing examination of how contemporary human rights investigations and international efforts to do justice are transforming the context in which great crimes are committed."--Aryeh Neier, President of the Open Society Institute "By some of the best investigators and reporters in the human rights movement, A Village Destroyed helps comfort the afflicted by letting them speak in their own voices. Let us hope it also serves to afflict the comforted."--Juan E. Mendez, Vice-President, Inter-American Commission on Human Rights "This is a groundbreaking work. It is the anatomy of a crime: the destruction of a village. The photographs and witness accounts are of astounding power. The book is crucial for anyone who wants to know what happened in Kosovo."--Laura Silber, co-author of Yugoslavia: Death of a Nation

The question of Kosovan sovereignty and independence has a history which stretches far back beyond the outbreak of war in 1998. This volume is a compilation of key documents on Kosovo from the first half of the twentieth century. These texts, including numerous diplomatic despatches from the British Foreign Office, deal initially with the Albanian uprising against Ottoman rule in the spring of 1912 and, in particular, with the period of the Serbian invasion of Kosovo in late 1912 and the repercussions of the conquest for the Albanian population. The documents from 1918 to the early 1920s focus mainly on endeavours by Albanian leaders, including those of the so-called Kosovo Committee in exile, to bring the plight of their people to the attention of the outside world - endeavours which largely failed. Further documents reflect the situation in Kosovo up to the outbreak of World War II. This collection provides new perspectives on the Kosovo question and includes many documents which have been largely unavailable up to now. It sheds new light on many of the major and minor episodes that channelled and determined subsequent events, including the Kosovo War of 1998-1999 and the declaration of independence in February 2008.

Kosova or Kosovo is a dependent region of Serbia, part of the former country of Yugoslavia. It was part of the province of Dalmatia in the Austro-Hungarian Empire before 1919.

Stories of the missing offer profound insights into the tension between how political systems see us and how we see each other. The search for people who go missing as a result of war, political violence, genocide, or natural disaster reveals how forms of governance that objectify the person are challenged. Contemporary political systems treat persons instrumentally, as objects to be administered rather than as singular beings: the apparatus of government recognizes categories, not people. In contrast, relatives of the missing demand that authorities focus on a particular person: families and friends are looking for someone who to them is unique and irreplaceable. In Missing, Jenny Edkins highlights stories from a range of circumstances that shed light on this critical tension: the aftermath of World War II, when millions in Europe were displaced; the period following the fall of the World Trade Center towers in Manhattan in 2001 and the bombings in London in 2005; searches for military personnel missing in action; the thousands of political "disappearances" in Latin America; and in more quotidian circumstances where people walk out on their families and disappear of their own volition. When someone goes missing we often find that we didn't know them as well as we thought: there is a sense in which we are "missing" even to our nearest and dearest and even when we are present, not absent. In this thought-provoking book, Edkins investigates what this more profound "missingness" might mean in political terms.

In this book, Roger Luckhurst both introduces and advances the fields of cultural memory and trauma studies, tracing the ways in which ideas of trauma have become a major element in contemporary Western conceptions of the self. The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of ‘trauma culture’ from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W. G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan. The Trauma Question offers a significant and fascinating step forward for those seeking a greater understanding of the controversial and ever-expanding field of trauma research.

An eyewitness account of the first major international war-crimes tribunal since the Nuremberg trials, Twilight of Impunity is a gripping guide to the prosecution of Slobodan Milosevic for war crimes, crimes against humanity, and genocide. The historic trial of the “Butcher of the Balkans” began in 2002 and ended abruptly with Milosevic’s death in 2006. Judith Armatta, a lawyer who spent three years in the former Yugoslavia during Milosevic’s reign, had a front-row seat at the trial. In Twilight of Impunity she brings the dramatic proceedings to life, explains complex legal issues, and assesses the trial’s implications for victims of the conflicts in the Balkans during the 1990s and international justice more broadly. Armatta acknowledges the trial’s flaws, particularly Milosevic’s grandstanding and attacks on the institutional legitimacy of the International Criminal Tribunal. Yet she argues that the trial provided an indispensable legal and historical narrative of events in the former Yugoslavia and a valuable forum where victims could tell their stories and seek justice. It addressed crucial legal issues, such as the responsibility of commanders for crimes committed by subordinates, and helped to create a framework for conceptualizing and organizing other large-scale international criminal tribunals. The prosecution of Slobodan Milosevic in The Hague was an important step toward ending impunity for leaders who perpetrate egregious crimes against humanity.

Knowledge about violent conflict and international intervention is political. It involves power struggles over the objects of knowing (problematization/silencing), how they are known (epistemic practices), and what interpretations are taken into account in policymaking and implementation. This book unearths the politics, power and performances involved in the social construction of seemingly neutral concepts such as facts, truth and authenticity in knowing about violent conflict and international intervention. Contributors foreground problems of physical and social access to information, explore practices generating knowledge actors’ authority and legitimacy, and analyse struggles over competing policy narratives. A first set of chapters focuses on the social construction of facts, truth and authenticity through studies of militia research in the DR Congo, politicians’ on-site visits in intervention theatres in the Balkans and Afghanistan, and the epistemic practices of Human Rights Watch and comics journalism. A second set of contributions analyses the strategic side of knowledge through case studies of diplomatic counterinsurgency in Bosnia and Herzegovina, African governments’ active role in the ‘bunkerization’ of international aid workers, and authoritarian peacebuilding as a challenge to the liberal power/knowledge regime in world politics. This book was originally published as a special issue of the Journal of Intervention and Statebuilding.