Invites us along for an inside look at the grand cottages of Mackinac Island, a uniquely Victorian island where cars are not allowed. This work contrasts fascinating historic photos with contemporary, full-color portraits to describe the development, architecture, and daily life of the summer cottage communities on Mackinac Island.

Stories and poems about the culture and way of life in India of a community on the verge of extinction - the Anglo-Indians

The Buddha on Mecca's Verandah examines the many ways in which people living along an international border negotiate their ethnic, cultural, and political identities. This ethnography of a small community of Thai Buddhists in the Malaysian state of Kelantan draws on rich, original vignettes to show how issues such as territoriality, identity, and power frame the experiences of borderland residents. Although the Thai represent less than 10 percent of the Kelantan population, they are vocal about their identity as non-Muslim, non-Malay citizens. They have built some of the world's largest Buddhist statues in their tiny villages, in a state that has traditionally been a seat of Islamic governance. At the same time, the Thai grapple with feelings of social and political powerlessness, being neither Thai citizens nor Muslim Malaysians. This thoughtful study offers new perspectives and challenges the classical definition of boundaries and borders as spaces that enforce separation and distance. With insights applicable to comparative border and frontier studies around the world, The Buddha on Mecca's Verandah will appeal not only to anthropologists but also to specialists in Asian and Southeast Asian studies, cultural geography, religious and ethnic studies, globalization, and cosmopolitanism.

The Verandah Poems is both a departure and a return for Jean 'Binta' Breeze, who left her village in Jamaica to become an internationally renowned Dub poet and storyteller. This is a book of coming home and coming to terms, of contemplation rather than contention - of mellow, musing, edgy poems drawn from the life and lives around her. It is Breeze's first new collection since Third World Girl: Selected Poems (2011), and is published on her 60th birthday. 'The third world girl, at home for a while, sets these attractive poems in rural Jamaica. Her verandah looks out on the sea, and she goes for a swim most mornings. The collection takes us well beyond the village, the bar across the road, and the men who proposition her. The easy-going voice talks of personal development, celebrates friends and family, comments on mortality, freedom, gender and class. The poet is examining, subtly, a more or less contented return to where her life began.' - Mervyn Morris