Mystery series debut! Aside from their age (early sixties) these two sisters couldn't be more different. But when Kiki's latest love interest is killed, they find themselves on common ground--in trying to solve the murder. Kiki herself argued with Arnold Lempke the night before his death--and she doesn't have an alibi. It doesn't help that she lied to (and flirted with) police at the murder scene. So Hannah agrees to help her sister prove her innocence.

The third book in the delightful mystery series featuring two sisters of a certain age & totally different personalities in Marin County, California. Hannah & Kiki set out to solve the murder of their favorite teacher from high school.--

Like other fictional characters, female sleuths may live in the past or the future. They may represent current times with some level of reality or shape their settings to suit an agenda. There are audiences for both realism and escapism in the mystery novel. It is interesting, however, to compare the fictional world of the mystery sleuth with the world in which readers live. Of course, mystery readers do not share one simplistic world. They live in urban, suburban, and rural areas, as do the female heroines in the books they read. They may choose a book because it has a familiar background or because it takes them to places they long to visit. Readers may be rich or poor; young or old; conservative or liberal. So are the heroines. What incredible choices there are today in mystery series! This three-volume encyclopedia of women characters in the mystery novel is like a gigantic menu. Like a menu, the descriptions of the items that are provided are subjective. Volume 3 of Mystery Women as currently updated adds an additional 42 sleuths to the 500 plus who were covered in the initial Volume 3. These are more recently discovered sleuths who were introduced during the period from January 1, 1990 to December 31, 1999. This more than doubles the number of sleuths introduced in the 1980s (298 of whom were covered in Volume 2) and easily exceeded the 347 series (and some outstanding individuals) described in Volume 1, which covered a 130-year period from 1860-1979. It also includes updates on those individuals covered in the first edition; changes in status, short reviews of books published since the first edition through December 31, 2008.

From the author of books about women police officers and a retired editor who’s now a volunteer cop in small town America, Food, Drink, and the Female Sleuth gathers together the best food scenes in mainstream detective fiction. Over 140 flavorful contributors, over 250 slurpy excerpts, 23 rich chapters with titles like “Undercover Grub and Stakeout Takeout,” “Junk Food on the Run,” “A Dozen Ways to Feed Your Lover,” “Bribing with Food,” and “The Last Bite.” Like us, PIs, cops, and amateur sleuths ARE what they eat. Also they are known by how they eat, where they eat, why they eat, and by who does the cooking. What better way to flesh out a sleuth’s work partner than “Let’s Have A Drink,” or spell out social class with humor in “Upper and Lower Crusts”? What better way to get a plot underway than breakfast? Or stir in suspense and foreshadow events in “Let’s Do Lunch”? This book is for anyone whose shelves are stacked with really good detective novels and really good food. Face it, if you like to eat, put Food, Drink on your table.

An NYRB Classics Original Winner of the 2014 PEN Translation Prize Winner of the 2014 Read Russia Prize The stakes are wildly high in Sigizmund Krzhizhanovsky’s fantastic and blackly comic philosophical fables, which abound in nested narratives and wild paradoxes. This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky’s most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room’s previous occupant; the fingers of a celebrated pianist’s right hand run away to spend a night alone on the city streets; a man’s lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.

Anyone who has ever tried to present a rather abstract scientific subject in a popular manner knows the great difficulties of such an attempt. Either he succeeds in being intelligible by concealing the core of the problem and by offering to the reader only superficial aspects or vague allusions, thus of deluding the reader by arousing in him the deceptive illusion of comprehension; Or else he gives an expert account of the problem, but as the untrained reader is unable to follow the exposition and becomes discouraged from reading any further. If these two categories are omitted from todays popular scientific literature, surprisingly little remains. But the little left is very valuable indeed. It is very important that the public is given an opportunity to experience-consciously and intelligently-the efforts and results of scientific research. It is not sufficient that each successive progression is taken up, elaborated, and applied by a few specialists in the field. Restricting the body of knowledge to a small group deadens the philosophical spirit of these people and leads to spiritual poverty. THE CORPSES OF TIMES GENERATIONS represents a valuable contribution to popular scientific writing. The main ideas to Theory are extremely well presented. Moreover, the presents state of our knowledge in which the paradigms of science are aptly characterized. Mr. Kosciejew shows how the criterial growth of our factual knowledge, with the striving for a unified conception comprising all empirical data, has led to the present situation which is characterized -despite all successes by an uncertainty concerning the choice of the basic theoretical concept.