Expectations are high for the Castle College basketball team in Castleport, Vermont. They have an All-American player and a balanced team, but unforeseen events deter them from success. Their All-American player mysteriously disappears from the deciding game of a tournament. Another player is attacked and yet another is the victim of a tragic accident. All of these events occur before important games. Is it just coincidence, or is it something more? It is a story of how a team draws strength from misfortune and overcomes adversity by blending together into a cohesive unit. Paul Fiore must navigate his college experience by balancing his studies, his love life, and being a team leader on the basketball court. Coach George Calzoni must guide his team through a maze of misfortune urging his players to work together as a team in their quest for the common good, winning. Hayes Aldridge, the All-American, must learn to sacrifice his ego for the esprit de corps of the team. “A Vermont Basketball Story” is a roller coaster ride that will have you on the edge of your seat as it steamrolls to an exciting conclusion.

Two Vermonts establishes a little-known fact about Vermont: that the state's fascination with tourism as a savior for a suffering economy is more than a century old, and that this interest in tourism has always been dogged by controversy. Through this lens, the book is poised to take its place as the standard work on Vermont in the Gilded Age and the Progressive Era. Searls examines the origins of Vermont's contemporary identity and some reasons why that identity ("Who is a Vermonter?") is to this day so hotly contested. Searls divides nineteenth-century Vermonters into conceptually "uphill," or rural/parochial, and "downhill," or urban/cosmopolitan, elements. These two groups, he says, negotiated modernity in distinct and contrary ways. The dissonance between their opposing tactical approaches to progress and change belied the pastoral ideal that contemporary urban Americans had come to associate with the romantic notion of "Vermont." Downhill Vermonters, espousing a vision of a mutually reinforcing relationship between tradition and progress, unilaterally endeavored to foster the pastoral ideal as a means of stimulating economic development. The hostile uphill resistance to this strategy engendered intense social conflict over issues including education, religion, and prohibition in the late nineteenth and early twentieth centuries. The story of Vermont's vigorous nineteenth-century quest for a unified identity bears witness to the stirring and convoluted forging of today's "Vermont." Searls's engaging exploration of this period of Vermont's history advances our understanding of the political, economic, and cultural transformation of all of rural America as industrial capitalism and modernity revolutionized the United States between 1865 and 1910. By the late Progressive Era, Vermont's reputation was rooted in the national yearning to keep society civil, personal, and meaningful in a world growing more informal, bureaucratic, and difficult to navigate. The fundamental ideological differences among Vermont communities are indicative of how elusive and frustrating efforts to balance progress and tradition were in the context of effectively negotiating capitalist transformation in contemporary America.

Kirby Nickel loves basketball. The only problem is he can't play basketball. But when an opportunity to meet NBA star Brett McGrew comes up, Kirby knows he has to take a chance and try out for the basketball team. Getting on the team turns out to be easy—the rest of the boys are as supremely untalented as Kirby—but winning in order to be eligible to meet McGrew is a whole different problem. Different and embarrassing. The coach's radical new plan for success involves the boys playing in their underwear. But if this crazy idea works, Kirby will get to meet his hero—who he secretly also hopes is his long-lost father.

A fun, accessible read for travelers and non travelers alike Vermont Curiosities is part zany Vermont guidebook and part Who's Who of unusual and unsung heroes, this compendium of the state's quirks and characters will amuse Vermont residents and visitors alike.

“A powerfully told story of family, honor, love, and truth . . . the beautiful and haunting stories told in this book transcend policy and politics.” —Beto O’Rourke A literary gem researched over a year the author spent living in Berlin, Endpapers excavates the extraordinary histories of the author’s grandfather and father: the renowned publisher Kurt Wolff, dubbed “perhaps the twentieth century’s most discriminating publisher” by the New York Times Book Review, and his son Niko, who fought in the Wehrmacht during World War II before coming to America. Born in Bonn into a highly cultured German-Jewish family, Kurt became a publisher at twenty-three, setting up his own firm and publishing Franz Kafka, Joseph Roth, Karl Kraus, and many other authors whose books would soon be burned by the Nazis. After fleeing Germany in 1933, Kurt and his second wife, Helen, founded Pantheon Books in a small Greenwich Village apartment. Pantheon would soon take its own place in literary history with the publication of Nobel laureate Boris Pasternak’s novel Doctor Zhivago, and as the conduit that brought major European works to the States. But Kurt’s taciturn son Niko, offspring of his first marriage to Elisabeth Merck, was left behind in Germany, where despite his Jewish heritage he served the Nazis on two fronts. As Alexander Wolff visits dusty archives and meets distant relatives, he discovers secrets that never made it to the land of fresh starts, including the connection between Hitler and the family pharmaceutical firm E. Merck. With surprising revelations from never-before-published family letters, diaries, and photographs, Endpapers is a moving and intimate family story, weaving a literary tapestry of the perils, triumphs, and secrets of history and exile.