Nineteenth-century Russian investigator Porfiry Petrovich doubts an initial conclusion that a St. Petersburg doctor is responsible for his wife's and son's poisoning deaths when the case is tied to another murder across town.

Fresh off the case of a deranged student who murdered his landlady, noted police investigator Porfiry Petrovich barely takes a breath before a bizarre and very grisly double murder lands him back on the streets of the tsarist St. Petersburg he knows all too well. The sardonic sleuth follows a trail from the drinking dens of the Haymarket district to an altogether more genteel stratum of society-a hunt that leads him to a conclusion even he will find shocking. In the tradition of such first-rate historical novels such as The Alienist and The Dante Club, The Gentle Axe is atmospheric and tense storytelling from its dramatic opening to its stunning climax.

First published in 1952, Frantz Fanon's 'Black Skin, White Masks' is one of the most important anti-colonial works of the post-war period. It is both a profound critique of the conscious and unconcious ways in which colonialism brutalises the colonised and a passionate cry from deep within a black body alienated by the colonial system and in search of liberation from it. This volume is the first collection of essays specifically devoted to Fanon's text. It offers a wide range of interpretations of the text by leading scholars in a number of disciplines. Chapters deal with Fanon's Martinican heritage, Fanon and Creolism, ideas of race and racism and new humanism, Fanon and Sartre, representations of Blacks and Jews, and the psychoanalysis of race, gender and violence. Contributors offer new ways of reading the text and the volume as a whole constitutes an important contribution to the growing field of Fanon studies.

This is the first study to examine desire in the Iliad in a comprehensive way, and to explain its relationship to the epic's narrative structure and audience reception. Rachel H. Lesser offers a new reading of the poem that shows how the characters' desires, especially those of the mortal hero Achilleus and the divine king Zeus, motivate plot and keep the audience engaged with the epic until and even beyond its end. The author argues that the characters' desires are primarily organized in narrative triangles that feature two parties in conflict over a third. A variety of desires animate these triangles, including sexual passion, longing for a lost loved one, yearning for lamentation, and aggressive desires for vengeance and status, and they are signified with terms such as eros, himeros, pothe, menos, thumos, boule, and eeldor, as well as through the epic's thematic emotions of grief and anger. Desire in the Iliad shows how the mortals' and gods' triangular desires together d and shape two Iliadic plots, the main plot of Achilleus' withdrawal from the fighting and then return to battle, and the "superplot" of the larger Trojan War story. The author also argues that these plots and their motivating desires arouse the listener's-or reader's-own corresponding desires: narrative desire to know and understand the Iliad's full story, sympathetic desire for characters' welfare, and empathetic passions, longings, and wishes. Our desires invest us in the epic narrative and their resolution brings us satisfaction.

When someone hurts us, our natural response is to strike back. Rather than let go, we cling to our rocks of resentment, our boulders of bitterness. The result? We struggle under the weight of unforgiveness. Though we know God has called us to forgive others, we find ourselves asking: What if it hurts too much to forgive? What if the other person isn't sorry? How can I let someone off the hook for doing something so wrong? Biblical counselor June Hunt has been there herself, enabling her to speak from experience as she offers biblical help and hope with heartfelt compassion. If you've been pinned down under a landslide of pain, here's how to find true freedom through forgiveness.

This innovative volume presents an account of Nietzsche's claims about noble, life-affirming ways of life, analyzes the source of such claims, and explores the political vision that springs from them. Kirkland elucidates the meaning of Nietzsche's remarks about life-affirmation through an examination of his rhetorical identification with values, such as honesty, that he ultimately seeks to overcome. The book includes an extended treatment of the meaning and implications of Nietzsche's doctrine of eternal return, which uncovers how this element of his philosophy challenges both ungrounded metaphysical oppositions and reductionist accounts of human life. The result is an illuminating discussion of how through his philosophical confrontation with modernity Nietzsche aims to move his readers toward a noble embrace of life.

A series of bizarre suicides leads Detective Inspector Silas Quinn to revisit his own troubled past ... June, 1914. A young man is mauled to death by a polar bear at London Zoo. Shortly afterwards, another young man leaps to his death from a notorious Suicide Bridge. Two seemingly unconnected deaths – and yet there are similarities. Following a third attempted suicide, DI Silas Quinn knows he must uncover the link between the three men if he is to discover what caused them to take their own lives. The one tangible piece of evidence is a card found in each of the victims’ possession, depicting a crudely-drawn red hand. What does it signify? To find the answers, Quinn must revisit his own dark past. But can he keep his sanity in the process?