The first book to present the work of Surfacedesign, an innovative San Francisco landscape architecture and urban design firm with major public and private projects throughout the Bay Area and in Hawaii, Mexico, and New Zealand. This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a sense of connection to the built and natural world, pushing people to engage with the landscape in new ways. The design approach emphasizes and celebrates the unique context and imaginative potential of each project. The studio's process is rooted in asking novel questions and listening to a site and its users, a process that has led to engaging and inspiring landscapes that are rugged, contemporary, and crafted. Twenty-five projects are presented, ranging in scale from the landscape approach to Auckland International Airport in New Zealand to intimate residential gardens in San Francisco and Los Angeles. Featured are Anaha, a Honolulu residential complex overlooking the Pacific Ocean, Land's End Lookout in the Golden Gate National Recreation area, Barnacles, a community gathering space on the Embarcadero, restoration of the Buena Vista Winery in Sonoma, the first commercial winery in California, and the landscape for the Museum of Steel in Monterrey, Mexico, a repurposed foundry that now incorporates the largest green roof in Central America.

Contains monthly column of the Sequoya League.

Based on the highly successful course at the School of Visual Arts developed by the author, this book provides a comprehensive approach to the critical understanding of photography through an in-depth discussion of fifteen photographs and their contexts – historical, generic, biographical and aesthetic. This book presents an intensive course in looking at photographs, open to undergraduates and general audiences alike. Rexer argues that by concentrating on fifteen carefully chosen works it is possible to understand the history, development and contemporary situation of photography. Looking to images by photographers such as Roland Fischer, Nancy Rexroth and Ernest Cole, The Critical Eye is the only book to address the totality of issues involved in photography, from authorial self-consciousness to the role of the audience. Its subjects are not limited to art photography but include vernacular images, commercial genres and anthropology. With every chapter it seeks to link the history of photography to current practice. This highly illustrated and beautiful book provides a much-needed introduction to image production.

The first new translation in over 400 years of one of the great works of the Renaissance In 1518, al-Hasan ibn Muhammad al-Wazzan, a Moroccan diplomat, was seized by pirates while travelling in the Mediterranean. Brought before Pope Leo X, he was persuaded to convert to Christianity, in the process taking the name Johannes Leo Africanus. Acclaimed in the papal court for his learning, Leo would in time write his masterpiece, The Cosmography and the Geography of Africa. The Cosmography was the first book about Africa, and the first book written by a modern African, to reach print. It would remain central to the European understanding of Africa for over 300 years, with its descriptions of lands, cities and peoples giving a singular vision of the vast continent: its urban bustle and rural desolation, its culture, commerce and warfare, its magical herbs and strange animals. Yet it is not a mere catalogue of the exotic: Leo also invited his readers to acknowledge the similarity and relevance of these lands to the time and place they knew. For this reason, The Cosmography and Geography of Africa remains significant to our understanding not only of Africa, but of the world and how we perceive it. Translated by Anthony Ossa-Richardson and Richard Oosterhoff

A discussion of stone construction and the nature of stone as a material. Aimed at practising architects and students, this study describes the new technologies that make the new stone forms possible. This is followed by 33 case studies from around the world.