Extraordinary photos that reveal the social, economic, and cultural realities of the Black South A True Likeness showcases the extraordinary photography of Richard Samuel Roberts (1880–1935), who operated a studio in Columbia, South Carolina, from 1920 to 1935. He was one of the few major African American commercial photographers working in the region during the first half of the twentieth century, and his images reveal the social, economic, and cultural realities of the black South and document the rise of a small but significant southern black middle class. The nearly two hundred photographs in A True Likeness were selected from three thousand glass plates that had been stored for decades in a crawl space under the Roberts home. The collection includes "true likenesses" of teachers, preachers, undertakers, carpenters, brick masons, dressmakers, chauffeurs, entertainers, and athletes, as well as the poor, with dignity and respect and an eye for character and beauty. Thomas L. Johnson and Phillip C. Dunn received a 1987 Lillian Smith Book Award for their work on this book. This new edition of A True Likeness features a new foreword by Elaine Nichols, the supervisory curator of culture at the Smithsonian National Museum of African American History and Culture in Washington, D.C. A new afterword is provided by Thomas L. Johnson.

A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.

Real Likenesses presents a radical new approach to the philosophy of artistic representation. Through a close analysis of paintings, photographs, and novels it reconsiders the relationship between medium and content, and proposes a new understanding of the 'real likenesses' that we encounter in representational art.

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

This special picture book offers a window into the African American community of Columbia, South Carolina, during the early twentieth century. While the town is specific, the themes and photographs are universal--weddings and funerals, teachers and preachers, sassy cars and baseball teams, and, of course, families of all sizes. More than half a century later, Richard Samuel Roberts's photographs and Dinah Johnson's lyrical text come together to illustrate the pride, joy, and strength of a bustling community.

The concept of likeness to truth, like that of truth itself, is fundamental to a realist conception of inquiry. To demonstrate this we need only make two rather modest aim of an inquiry, as an inquiry, is realist assumptions: the truth doctrine (that the the truth of some matter) and the progress doctrine (that one false theory may realise this aim better than another). Together these yield the conclusion that a false theory may be more truthlike, or closer to the truth, than another. It is the aim of this book to give a rigorous philosophical analysis of the concept of likeness to truth, and to examine the consequences, some of them no doubt surprising to those who have been unduly impressed by the (admittedly important) true/false dichotomy. Truthlikeness is not only a requirement of a particular philosophical outlook, it is as deeply embedded in common sense as the concept of truth. Everyone seems to be capable of grading various propositions, in different (hypothetical) situations, according to their closeness to the truth in those situations. And (if my experience is anything to go by) there is remarkable unanimity on these pretheoretical judge ments. This is not proof that there is a single coherent concept underlying these judgements. The whole point of engaging in philosophical analysis is to make this claim plausible.

In the ancient disciple-rabbi relationship, the disciple would follow the rabbi so closely that he would be covered in the dust kicked up from his rabbi's feet. Thousands of years later, though we walk on roads of pavement and not dust, we are still called to be disciples—to follow our Rabbi, Jesus Christ, so closely that we are covered with his life, changed, and made new. Into His Likeness provides an approachable but in-depth exploration of how to live as a disciple and experience the transformation Jesus wants to work in our lives. We might desire to live more like Christ, but we know we fall short. This book simply helps us follow those initial promptings of the Holy Spirit, so that we may more intentionally encounter Jesus anew each day and be more disposed to his grace changing us ever more into his likeness.