Owen was a renowned theologian in his day and this work is a piece of theological brilliance in the reformed and protestant tradition. The death of Christ had a wide range of implications on the fate of humanity and the cause of redemption that Christ came to give to us all. This work goes over all the arguments that have been set up against the reality of Christ's death and Owen brilliantly rebukes these arguments and settles it all.

From the earliest period of its existence, Christianity has been recognized as the "religion of the cross." Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith: the cross of Christ's execution is the symbol of God's victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of God's wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role insalvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified "majesty," to the Anselmian "revolution" that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation.

“I find then a law, that when I would do good, evil is present with me.” Romans 7:21 For nearly 500 years "Indwelling Sin in Believers" has aided countless saints in recognizing the reality of the ongoing struggle with sin and resting in the all-powerful grace of Jesus Christ. In this Puritan Reformed classic, John Owen uncovers the true and deep nature of sin in the life of a believer. A methodical and clear teacher, Owen systematically reveals how sin works to deceive and ultimate disable those who don’t fully trust in God’s amazing grace.