This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Praise for the previous edition [. . .] Dr. Popko’s elegant new book extends both the science and the art of spherical modeling to include Computer-Aided Design and applications, which I would never have imagined when I started down this fascinating and rewarding path. His lovely illustrations bring the subject to life for all readers, including those who are not drawn to the mathematics. This book demonstrates the scope, beauty, and utility of an art and science with roots in antiquity. [. . .] Anyone with an interest in the geometry of spheres, whether a professional engineer, an architect or product designer, a student, a teacher, or simply someone curious about the spectrum of topics to be found in this book, will find it helpful and rewarding. – Magnus Wenninger, Benedictine Monk and Polyhedral Modeler Ed Popko's comprehensive survey of the history, literature, geometric, and mathematical properties of the sphere is the definitive work on the subject. His masterful and thorough investigation of every aspect is covered with sensitivity and intelligence. This book should be in the library of anyone interested in the orderly subdivision of the sphere. – Shoji Sadao, Architect, Cartographer and lifelong business partner of Buckminster Fuller Edward Popko's Divided Spheres is a "thesaurus" must to those whose academic interest in the world of geometry looks to greater coverage of synonyms and antonyms of this beautiful shape we call a sphere. The late Buckminster Fuller might well place this manuscript as an all-reference for illumination to one of nature's most perfect inventions. – Thomas T. K. Zung, Senior Partner, Buckminster Fuller, Sadao, & Zung Architects. This first edition of this well-illustrated book presented a thorough introduction to the mathematics of Buckminster Fuller’s invention of the geodesic dome, which paved the way for a flood of practical applications as diverse as weather forecasting and fish farms. The author explained the principles of spherical design and the three classic methods of subdivision based on geometric solids (polyhedra). This thoroughly edited new edition does all that, while also introducing new techniques that extend the class concept by relaxing the triangulation constraint to develop two new forms of optimized hexagonal tessellations. The objective is to generate spherical grids where all edge (or arc) lengths or overlap ratios are equal. New to the Second Edition New Foreword by Joseph Clinton, lifelong Buckminster Fuller collaborator A new chapter by Chris Kitrick on the mathematical techniques for developing optimal single-edge hexagonal tessellations, of varying density, with the smallest edge possible for a particular topology, suggesting ways of comparing their levels of optimization An expanded history of the evolution of spherical subdivision New applications of spherical design in science, product design, architecture, and entertainment New geodesic algorithms for grid optimization New full-color spherical illustrations created using DisplaySphere to aid readers in visualizing and comparing the various tessellations presented in the book Updated Bibliography with references to the most recent advancements in spherical subdivision methods

Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined. In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the "Father of Letters," both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529, French underwent a remarkable transformation, as printers and writers began to reimagine their mother tongue as mechanically reproducible. The first accent marks appeared in French texts, the first French grammar books and dictionaries were published, phonetic spelling reforms were debated, modern Roman typefaces replaced gothic scripts, and French was codified as a legal idiom. This was, Chenoweth argues, a veritable "new media" moment, in which the print medium served as the underlying material apparatus and conceptual framework for a revolutionary reinvention of the vernacular. Rather than tell the story of the origin of the modern French language, however, she seeks to destabilize this very notion of "origin" by situating the cultural formation of French in a scene of media technology and reproducibility. No less than the paper book issuing from sixteenth-century printing presses, the modern French language is a product of the age of mechanical reproduction.

Includes "Commentariolus," Copernicus' hypotheses for heavenly motions; "Narratio Prima," popular introduction to Copernican theory; and "The Letter Against Werner," refutation of the views of a contemporary. Extensive editorial apparatus.