An appreciation of the most beautiful dolls made in America and Europe during the 18th, 19th, and 20th centuries.

An appreciation of the most beautiful dolls made in America and Europe during the 18th, 19th, and 20th centuries.

Provides diagrams and instructions for creating a variety of dolls, including clowns, twins, grandmothers, chorus groups, and storybook characters

America's first president is spotlighted in this delightful and well-researched treasury of paper dolls. Meticulous representations of Martha, George, and four Custis grandchildren, plus 32 costumes: silk taffeta gown, embroidered waistcoats, knee breeches, black velvet suit, gold satin gown, much more. Accessories include bow-tied shoes, a parasol, and a gilded walking cane. Captions.

This book is a must read for anyone making a porcelain doll wanting to enter in a competition. In the book you will find tips and information from notes taken at seminars and private lessons with the top doll makers in the world today. There are two main categories of porcelain dolls modern and antique. Modern dolls are those sculpted by modern artists. Antique dolls are those that were first introduced and sold either more that fifty years ago or, by some definitions, more than one hundred years ago. Actual antique dolls can be purchased for enjoyment and possibly to use as models for the making of reproductions. Excellent reproductions of the antique dolls can be made by modern-day artists. Modern dolls are those sculpted by current-day sculptors. Modern dolls can be painted and dressed in any way the doll artisan prefers. They can have painted eyes, or the holes can be cut out from the porcelain before the bisque firing to allow the insertion of glass eyes. Neither technique is easy. Each has its own challenges, and both look nice when done well. These dolls can be dressed in any way the artist wishes as well. Reproductions of antiques must be done so that the artist reproduces the original patterns and colors as they were initially done on the specific dolls. This means reproducing the eyes with the same number of lashes that the artists painted on the antique dolls, the same slant and the same spacing. Dressing the antique reproductions poses another challenge as the dolls should be dressed in a period costume appropriate for that doll. The fabrics should be natural fibers, often actual vintage or antique fabrics. Significant research is required to determine what styles, fabrics, and colors should be used for specific dolls. This book has a wonderful collection of tips collected from the experts! These are helpful for all doll makers, especially people preparing for competitions. This book contains a wealth of information for lovers and makers of both modern and reproduction antique dolls. The information has been collected over the years from most of the most talented and experienced doll makers in the world. It is shared here with those interested in preserving this art, approaching each aspect of the doll in the best way possible.

A collection of more than 400 dolls spanning two centuries. Each doll shown in original clothes or period costumes. Advice on care and collecting.

The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.