Ivan Chonkin is a simple, bumbling peasant who has been drafted into the Red Army. Shortly before the outbreak of World War II, he is sent to an obscure village with one week's ration of canned meat and orders to guard a downed plane. Apparently forgotten by his unit, Chonkin resumes his life as a peasant and passes the war peacefully tending the village postmistress's garden. Just after the German invasion, the secret police discover this mysterious soldier lurking behind the front line. Their pursuit of Chonkin and his determined resistance lead to wild skirmishes and slapstick encounters. Vladimir Voinovich's hilarious satire ridicules everything that was sacred in the Soviet Union, from agricultural reform to the Red Army to Stalin, in a refreshing combination of dissident conscience and universal humor.

A Displaced Person follows a series of random events that brings Chonkin to the United States, where he becomes a farmer and, eventually, a member of a congressional delegation sent to the Soviet Union in 1989, during perestroika, to discuss agriculture with the Soviet leader Mikhail Gorbachev.

**** Reprint of the Farrar, Strauss and Giroux translation of 1977. Cited in BCL3. Annotation copyright by Book News, Inc., Portland, OR

**** Reprint of the Farrar, Strauss and Giroux translation of 1977. Cited in BCL3. Annotation copyright by Book News, Inc., Portland, OR

The central role that the regime of Slobodan Milošević played in the bloody dissolution of Yugoslavia is well known, but Marko Živković explores another side of this time period: the stories people in Serbia were telling themselves (and others) about themselves. Živković traces the recurring themes, scripts, and narratives that permeated public discourse in Milošević's Serbia, as Serbs described themselves as Gypsies or Jews, violent highlanders or peaceful lowlanders, and invoked their own mythologized defeat at the Battle of Kosovo. The author investigates national narratives, the use of tradition for political purposes, and local idioms, paying special attention to the often bizarre and outlandish tropes people employed to make sense of their social reality. He suggests that the enchantments of political life under Milošević may be fruitfully seen as a dreambook of Serbian national imaginary.