A fantastical illustrated book where mice chase cats, penguins live in the jungle, cars fly and aeroplanes float!

To the first Europeans who came to Australia, everything seemed topsy turvy. Christmas was in the summer and trees shed their bark but not their leaves. And the animals were bizarre. There was a bird that laughed like a donkey and a type of greyhound that bound along on its hind legs like a hare. There was an animal in Tasmania whose nocturnal screeches sounded like the devil and a river creature that had a duck's bill at one end and a beaver's tail at the other. The Europeans had never seen anything like these animals before and gave them names similar to those of the European creatures they already knew. They drew and painted odd pictures of them, showing they did not understand the animals' habits. In one illustration, a wombat is standing on its back legs and in another a Tasmanian tiger is wrestling with a platypus of the same size.

No musical partnership has enjoyed greater success during its time span than that of Gilbert and Sullivan in the later 19th century. No fewer than a dozen Savoy operas are still regularly performed. The operas present audiences with splendidly rich and satirical evocations of Victorian England and its society: the prime subject matter of this book!

This is the final tome in a series of 4 books about Eden Fruitarianism. The books do not require sequential reading as they are all complementary to one another. The focus of this particular one is on Anarchism, 'Vegan Anarchism' to be more precise. It highlights the madness of this world, and shows the way forward, by bringing more sanity, through the understanding of and abidance by Nature's Laws. This book has a special chapter dedicated to the current Covid19 Plandemic.

Reuse, recycle, renew, and rethink! Climb aboard the Topsy-Turvy Bus with Maddy and Jake as it travels around the country teaching communities the importance of taking care of the earth and creating a better, cleaner, healthier world. Based on a real Topsy-Turvy Bus created by Hazon, the largest Jewish environmental organization in North America.

In his most expansive and unruly collection to date, the acclaimed poet Charles Bernstein gathers poems, both tiny and grand, that speak to a world turned upside down. Our time of “covidity,” as Bernstein calls it in one of the book’s most poignantly disarming works, is characterized in equal measure by the turbulence of both the body politic and the individual. Likewise, in Topsy-Turvy, novel and traditional forms jostle against one another: horoscopes, shanties, and elegies rub up against gags, pastorals, and feints; translations, songs, screenplays, and slapstick tangle deftly with commentaries, conundrums, psalms, and prayers. Though Bernstein’s poems play with form, they incorporate a melancholy, even tragic, sensibility. This “cognitive dissidence,” as Bernstein calls it, is reflected in a lyrically explosive mix of pathos, comedy, and wit, though the reader is kept guessing which is which at almost every turn. Topsy-Turvy includes an ode to the New York City subway and a memorial for Harpers Ferry hero Shields Green, along with collaborations with artists Amy Sillman and Richard Tuttle. This collection is also full of other voices: Pessoa, Geeshie Wiley, Friedrich Rückert, and Rimbaud; Carlos Drummond, Virgil, and Brian Ferneyhough; and even Caudio Amberian, an imaginary first-century aphorist. Bernstein didn’t set out to write a book about the pandemic, but these poems, performances, and translations are oddly prescient, marking a path through dark times with a politically engaged form of aesthetic resistance: We must “Continue / on, as / before, as / after.” The audio version of Topsy-Turvy is performed by the author.