Provides an ontological characterization of texts, explores the issues raised by the identity of various texts, and presents a view of the function of authors and audiences, and of their relations to texts.

The author begins by distinguishing six fundamental issues on the metaphysics of individuality. He then proceeds to examine the relation among these issues and to demonstrate that ignorance of the interrelationships has caused confusion in philosophy. In spite of the intricacy of the subject matter, the discussion is always clear, the arguments explicitly evaluated, and the solutions original. In addition, Gracia has assembled an array of historical and contemporary information, from Plato to Strawson, that is unavailable elsewhere.

This volume gathers prominent international scholars to celebrate the complex legacy of Reiner Wiehl, whose work has been instrumental in bringing together the European tradition of prima philosophia as represented by Plato, Spinoza, Kant and Hegel, with the adventurous speculative renewal of the twentieth century by Alfred North Whitehead. Grouped into four sections (Process and Universals, Nature and Subjectivity, Ethics and Civilization, Psychology and Phenomenology) the fifteen papers collected in this book cover a range of topics which is as wide and as intertwined as Wiehl's own expertise. The common thread running through all contributions is the problematic nature of subjectivity and especially of its process slant, which easily eludes the static and abstract schemes of rationality.

"A display of scientific courage and imagination." —William Saletan, New York Times Book Review Why do people—even identical twins reared in the same home—differ so much in personality? Armed with an inquiring mind and insights from evolutionary psychology, Judith Rich Harris sets out to solve the mystery of human individuality.

The richness of art is manifested in contrast: contrast with other works of art, other features of human experience, other times and places, and other forms of judgment and understanding. The possibilities of contrast are inexhaustible. Every being shares this inexhaustibility of openness to novel possibilities, although inexhaustibility is most fully realized in art. The general theory of art and aesthetic value developed in this book is based on the notions of inexhaustibility and contrast and has important forebears in Kant, Coleridge, and Whitehead. The theory allows art to be located relative to otheR spheres of judgment--science, action, and philosophy. The theory allows a new perspective on interpretation and criticism. Ross presents and defines a new synthetic form of understanding works of art that offers an alternative to the skepticism that haunts so many theories of interpretation.

We're all in favour of free speech — except when we're not! Often it's a case of 'free speech for me, but not for thee’. The regulation of speech is a matter that is typically dealt with arbitrarily without there being any obvious principled basis for the decisions that are made. Is hate speech, so-called, a form of free speech? What of blasphemy, in either its ancient or contemporary forms? Should certain forms of speech be mandatory? As with free speech, we’re all in favour of tolerance — except when we're not! Tolerance is increasingly coming to seem, well, intolerable and new and improved forms of intolerance are everywhere on the rise, not least as embodied in the currently fashionable doctrines of diversity, inclusion and equality. In ZAP, Gerard Casey presents a critical and unified approach to both free speech and tolerance based on the Zero Aggression Principle, keeping the critical discussion topical and grounded by reference to current events.