The spellbinding sequel to A Thousand Salt Kisses. Four years ago, Crystal White fell in love with Llyr, a prince of the magical mer colony living off the coast of Starfish Island. For one summer, he enchanted her with stories of jeweled palaces and underwater gardens, but then he left, returning beneath the waves with her heart in tow. Now, graduated and with no job in sight, Crystal is forced to go back to the island she thought she had left in the past. By the sea again, she realizes she is far from over her first love, and when an opportunity arises to contact the merfolk, Crystal can't resist. Once more with the mer, Crystal is forced to come to terms with the fact that Llyr has moved on, and also with her own magical secret that has endangered her life, his throne, and every mer kingdom. Working against all odds, she has to try to save the people she has come to love and--if she can--rekindle the romance of her first summer on Starfish Island.

Seventeen-year-old Crystal White is the new girl on Starfish Island. On a midnight swim, Crystal is rescued by Llyr, a handsome stranger who brings life to magical local legends. Over a sizzling roller-coaster summer, Llyr introduces Crystal to magic she'd only ever dreamed of.

Tristan Thomas is lost. After leaving the Army, the young former soldier is in limbo. Until, that is, he’s hired by Mark Trevena, the owner of Lyonesse—DC’s ultra-secret club—to be Mark’s new bodyguard. He’s drawn into Mark’s dark, seductive world of power and desire, and slowly drawn to Mark himself, even though Mark is everything Tristan knows he shouldn’t want: cruel and wicked and shamelessly amoral. But protecting Mark isn’t Tristan’s only duty: soon, Mark asks him to guard his soon-to-be bride as she travels home from Ireland on Mark’s yacht. Tristan is jealous—and hurt to learn that the object of his obsession is engaged—but the soldier in him is made to obey orders, and he goes to fetch Mark’s bride for him. Isolde Laurence is nothing like Tristan expected, however. Young, quiet, and sharp, she’s being pushed into this marriage by her family, and as the two travel back to America, Tristan finds himself fascinated with Isolde and the glimpses he gets of the lonely but determined woman behind her reserve. And the fascination is mutual: one night, while sailing under the cold stars, they share a searing kiss. From there, it’s a fast fall into the forbidden. But in Mark Trevena’s world, the fall is only the beginning… The Lyonesse trilogy is a queer, kinky contemporary retelling of the legend of Tristan and Isolde, set in the same world as the New Camelot series. Readers will not have to read New Camelot to enjoy Lyonesse, although readers who enjoyed New Camelot will find all the things they loved about the trilogy here: MMF ménage, plenty of the angsty forbidden, and a sweeping retelling of a familiar story.

In alternating chapters, two high school senior girls in Atlanta reveal their thoughts and frustrations as they go through their final semester of high school.

NATIONAL BESTSELLER “A delectable brew of gothic horror and Hollywood satire . . . [and] what makes all this so much fun is Danforth’s deliciously ghoulish voice . . . exquisite." —Ron Charles, THE WASHINGTON POST "A multi-faceted novel, equal parts gothic, sharply funny, sapphic romance, historical, and, of course, spooky.” —ENTERTAINMENT WEEKLY Named a Most Anticipated Book by Entertainment Weekly • Washington Post • USA Today • Time • O, The Oprah Magazine • Buzzfeed • Harper's Bazaar • Vulture • Parade • HuffPost • Refinery29 • Popsugar • E! News • Bustle • The Millions • GoodReads • Autostraddle • Lambda Literary • Literary Hub • and more! The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period-inspired illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read. “Full of Victorian sapphic romance, metafictional horror, biting misandrist humor, Hollywood intrigue, and multiple timeliness—all replete with evocative illustrations that are icing on a deviously delicious cake.” –O, THE OPRAH MAGAZINE