In the tradition of Joe Brainard’s I Remember and Georges Perec’s Je me souviens, this delightful “novel” offers a thousand answers to the question, “What are you thinking?” (Or, as translator Ian Monk puts it: “Penny for them?”) The answers are spontaneous, revealing, ominous, insignificant, grotesque, amusing, lecherous, tragic and trivial by turns, and lovable in their cheerful imperfection. This is a book about the basics: love, sexuality, death, and all the other things that lurk in our everyday thoughts.

A stranger takes over a role in a play, leaving the rest of the cast to ponder his motives. Two minutes into the second act, there is a knock on Nicolas Boehlmer’s dressing-room door, just as he’s smoking his last cigarette before having to go back on stage . . . and, without thinking, he says,“Come in,” still in character. He quickly finds himself bound, gagged, and stripped by a man who appears to be his mirror image: costumed in the same wig, make-up, and clothes. Nicolas is powerless to prevent his usurper from going out and playing his role—with increasingly ridiculous consequences. Is this “upstaging” the act of a depraved amateur? Sabotage by a rival? A piece of guerrilla theater? A political statement? Whatever the cause, Nicolas and his fellow actors soon find their play—and their lives—making less and less sense, as the parts they play come under assault by this irrational intruder.

New York Times Bestselling and Goncourt Prize-Winning Author of The Anomaly A prominent French writer delves into his own history in this eloquent reflection on dysfunctional family relationships. Hervé Le Tellier did not consider himself to have been an unhappy child—he was not deprived, or beaten, or abused. And yet he understood from a young age that something was wrong, and longed to leave. Children sometimes have only the option of escaping, driven by their even greater love of life. Having reached a certain emotional distance at sixty years old, and with his father and stepfather dead and his mother suffering from late-stage Alzheimer’s disease, Le Tellier finally felt able to write the story of his family. Abandoned early by his father and raised in part by his grandparents, he was profoundly affected by his relationship with his mother, a troubled woman with damaging views on love. In this perceptive, deeply personal account, Le Tellier attempts to look back on trying times without anger or regret, and sometimes even with humor.

New York Times Bestselling and Goncourt Prize-Winning Author of The Anomaly By the celebrated Oulipo writer, this brilliant and witty novel set in Lisbon explores love, relationships, and the strange balance between literature and life. Journalist, writer, and translator Vincent Balmer moves to Lisbon to escape from a failing affair. During his first assignment there, he teams up with Antonio—a photographer who has just returned to the city after a ten-year absence—to report for a French newspaper on an infamous serial killer’s trial. While walking around the city together to take notes and photos for the article, they visit the places of Antonio’s childhood, swap stories from their pasts, and confide in each other. But the more they learn about each other, the more their lives become inextricably intertwined. With a structure that parallels Homer’s Odyssey, Eléctrico W recounts their nine days together and the adventures that proliferate to form a constellation of successive ephemeral connections and relationships.

The Oulipo celebrated its fiftieth birthday in 2010, and as it enters its sixth decade, its members, fans and critics are all wondering: where can it go from here? In two long essays Scott Esposito and Lauren Elkin consider Oulipo's strengths, weaknesses, and impact on today's experimental literature. ,

NEW YORK TIMES BESTSELLER • From the author of Wilde in Love, a joyful chronicle of a year in one of the most beautiful cities in the world: Paris. “What a beautiful and delightful tasting menu of a book: the kids, the plump little dog, the Italian husband. Reading this memoir was like wandering through a Parisian patisserie in a dream. I absolutely loved it.”—Elizabeth Gilbert, author of Eat, Pray, Love When bestselling romance author Eloisa James took a sabbatical from her day job as a Shakespeare professor, she also took a leap that many people dream about: She sold her house and moved her family to Paris. With no classes to teach, no committee meetings to attend, no lawn to mow or cars to park, Eloisa revels in the ordinary pleasures of life—discovering corner museums that tourists overlook, chronicling Frenchwomen’s sartorial triumphs, walking from one end of Paris to another. She copes with her Italian husband’s notions of quality time; her two hilarious children, ages eleven and fifteen, as they navigate schools—not to mention puberty—in a foreign language; and her mother-in-law Marina’s raised eyebrow in the kitchen (even as Marina overfeeds Milo, the family dog). Paris in Love invites the reader into the life of a New York Times bestselling author and her spirited, enchanting family, framed by la ville de l’amour. Praise for Paris in Love “Exhilarating and enchanting . . . brims with a casual wisdom about life.”—Chicago Tribune “In this delightful charm-bracelet of a memoir, [Eloisa James shares] her adventures as an American suddenly immersed in all things French—food, clothes, joie de vivre.”—People “Enchanting . . . gives the reader a sense of being immersed along with James in Paris for a year . . . you see the rain, taste the food, observe the people.”—USA Today “This delectable confection, which includes recipes, is more than a visit to a glorious city: it is also a tour of a family, a marriage, and a love that has no borders. Très magnifique!”—Library Journal (starred review) “A charming, funny and poignant memoir . . . steeped in Paris and suffused with love.”—Star Tribune “Charming . . . a romance—for a city, a life, a family, and love itself.”—The Huffington Post

Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.