The author argues that it is the progressivism born of irreligious humanism that is the main source of the troubles of the 20th century and finds support for his thesis in the work of various contemporary thinkers as well as in his own experience. Contains the author's personal reminiscences of many of his friends, including Frieda Lawrence, John Middleton Murry, R.H. Tawney, A.J. Cook and others.

Centred on the relationship between the personal lives of the writers John Middleton Murry, Katherine Mansfield, and D. H. Lawrence and the works they produced this intriguing study develops a portrait of a circle of writers who significantly influenced t

"[Tuan] explores answers to an old and unanswerable question: how should we live? . . . The Good Life is a little anthology of good feeling, touchstones of joy . . . These pleasures make the book a pleasure, not of conviction or belief, but of conversation's meandering exploration."--New York Times Book Review "Tuan, after all, is one of the few geographers who can be read for pleasure, and by the public as well as by the professional. But read not merely for pleasure, nor yet to mark, learn, and inwardly digest. Rather, consider Tuan's challenge to identify your concept of the good life, and then try to construct that life."--Environment and Planning D: Society and Space

"The Spanish Civil War (1936-1939) inspired and haunted an extraordinary number of exceptional atrists and writers, including Pablo Picasso, Joan Miro, Martha Gelhorn, Ernest Hemingway, George Orwell, and John Dos Passos. It spurred breakthroughs in military and medical technology. New aircraft, weapons, tactics, and strategy all emerged in the intense Spanish conflict. Progress also arose from the horror: doctors and nurses who volunteered to serve with the Spanish defenders devised major advances in battlefield surgery and frontline blood tansfusion. Rhodes takes us into the battlefields, bomb shelters, and hospitals; into the studios of artists; and into the hearts and minds of a rich cast of characters, showing how the ideological, aesthetic, and technological developments that emerged in Spain changed the world forever." --

In The Red Earl Selina Hastings tells the extraordinary story of her father, Jack Hastings, 16th Earl of Huntingdon. In 1925, Hastings infuriated his ultra-conservative parents by turning his back on centuries of tradition to make a scandalous run-away marriage. With his beautiful Italian wife he then left England for the other side of the world, further enraging his family by determining on a career as a painter. The couple settled first in Australia, then on the island of Moorea in the South Pacific. Here, they led an idyllic existence until a bizarre accident forced them to leave the tropics forever. En route back to England, they stopped for a year in California, where Hastings continued to paint while enjoying a glamorous social life with actors such as Charlie Chaplin and Douglas Fairbanks. While in San Francisco, Hastings met the great Mexican artist Diego Rivera, and persuaded him to take him on as an assistant. For the next nearly four years he lived at close quarters with Rivera and with his wife, Frida Kahlo, first in San Francisco, then Detroit, and finally Mexico City. When eventually Hastings returned home it was to be faced with fighting on all fronts: in Spain during the Civil War; in England with his parents; and lastly with his wife, determined to keep him locked into a marriage from which by now he was desperate to escape. This enthralling story, superbly well written, not only gives a new perspective on two of the 20th-century's greatest artists, Rivera and Kahlo, but also reveals in fascinating detail the private life of an aristocratic family of 100 years ago.

This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire's impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot, and others, Patricia Clements describes the Baudelaire who is the creation of the English poets and identifies some major lines in the development of modernism in English literature. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.