Autobiographical reminiscences of an Indian civil servant.

This is a story about one man's struggle to overcome class discrimination, poverty, and abandonment in order to achieve success, wholeness, and recognition. It does not always make light reading, but as with anything in life, there are humorous elements. A mixture of narrative storytelling and academic investigation provides the necessary balance for discussing a difficult subject. From earliest childhood memories, the reader is taken through the commotion of school life and ultimately beyond into the world of work. There is a gradual reversal of roles, as the ideas applied to the writer in his youth are turned outwards upon his entourage, and subsequently, the rest of society. One need not always agree; but hopefully the book will provide at the very least food for thought, and demonstrate the limitations of any idea when taken to the extreme.

In this quasi-French farce masquerading as a novel, we meet Courtney Farquhar Tremayne, one hundred years young in the year 2000 and writing his memoirs about his ten odd (and you can believe that they were exceedingly odd) years touring with a second-rate vaudeville troupe (from approximately 1926 to 1936). Meet all of the interesting characters he knew from that magical medium now long departed. There are Bud and Boz, a dog act (Bud is the trainer and Boz the dog, although it was said that some were loathe to tell the difference). Then, there is one of the strangest acts ever to be seen on the vaudeville stage, Nick Knack Paddywack and his Knockabout Kids, a family acrobatic and comedy act. Meet Malachi and Alewyn Malarkey, Irelands version of George Burns and Gracie Allen. Also on board is Charles Mammy Kaufman, a blackface minstrel singer (a type of act no longer seen on any stage) whose not-so-secret secret is that he is, contrary to the convention of the day for these mammy singers, actually black. Then, there is Kelfer Milius, the pompous star actor of the show. And lastly is the beautiful and alluring (to Courtney, anyway) Prudence Bernadette, the shows star actress. Follow them and all these other vaudeville misfits on their ten-year excursion throughout countless Midwestern cow towns and backwater hamlets, where they ply their trade and, more often than not, find themselves in sometimes precarious, yet always comic, circumstances beyond their control.

Perfect for personal use, or for your whole office. Get yours today! Specifications: Cover Finish: Matte Dimensions: 6" x 9" (15.24 x 22.86 cm) Interior: Blank, White Paper, Unlined Pages: 110

A companion volume to his Critique of Religion and Philosophy, this book offers Walter Kaufmann's critical interpretations of some of the great minds in Western philosophy, religion, and literature.

Arguably the darkest of all Shakespeare?s plays, Macbeth is also one of the most challenging. Is it a work of nihilistic despair, ?a tale told by an idiot, full of sound and fury, signifying nothing?, or is it a cautionary tale warning of the dangers of Machiavellianism and relativism? Does it lead to hell and hopelessness, or does it point to a light beyond the darkness? This critical edition of Shakespeare?s classic psychological drama contains essays by some of today?s leading critics, exploring Macbeth as a morality play, as a history play with contemporary relevance, and as a drama that shows a vision of evil and that grapples with the problem of free will. The Ignatius Critical Editions represent a tradition-oriented alternative to popular textbook series such as the Norton Critical Editions or Oxford World Classics, and are designed to concentrate on traditional readings of the Classics of world literature. Whereas many modern critical editions have succumbed to the fads of modernism and post-modernism, this series will concentrate on tradition-oriented criticism of these great works. Edited by acclaimed literary biographer, Joseph Pearce, the Ignatius Critical Editions will ensure that traditional moral readings of the works are given prominence, instead of the feminist, or deconstructionist readings that often proliferate in other series of 'critical editions'. As such, they represent a genuine extension of consumer-choice, enabling educators, students and lovers of good literature to buy editions of classic literary works without having to 'buy into' the ideologies of secular fundamentalism. The series is particularly aimed at tradition-minded literature professors offering them an alternative for their students. The initial list will have about 15 - 20 titles. The goal is to release three books a season, or six in a year.