Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the “Notable Books of 1967” by the American Library Association.

Big, brainy science for the littlest listeners. Accurate enough to satisfy an expert, yet simple enough for baby, this clever board book explores the ups and downs of gravity. When baby drops food from a high chair, why does it fall? Beautiful, visually stimulating illustrations complement age-appropriate language to encourage baby's sense of wonder. Parents and caregivers may learn a thing or two, as well! With tongue firmly in cheek, the Baby Loves Science series is a fun-filled introduction to STEM concepts for babies, toddlers, and their grown-ups.

Music is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon—not least, its origins. In a ground-breaking study, this volume brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. Seeking to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species, it will be essential reading for anyone interested in music and human physical and cultural evolution.

Who's ready for a story? Gather your favourite toy, your fluffiest pillow and cosiest blanket and settle in for bedtime with this collection of classic picture books for young children. There is something to delight everyone in these eight stories by much-loved Australian authors and illustrators. The classic books included are- Bed Tails by Meredith Costain and Mitch Vane Sophie's Big Bed by Tina Burke Baby Tawnies by Judy Paulson It's Bedtime, William! by Deborah Niland One Very Tired Wombat by Renee Treml A Bear and a Tree by Stephen Michael King Jesse by Tim Winton and Maureen Prichard Come Down, Cat by Sonya Hartnett and Lucia Masciullo

Who's ready for a story? Gather your favourite toy, your fluffiest pillow and cosiest blanket and settle in for bedtime with this collection of classic picture books for young children. There is something to delight everyone in these eight stories by much-loved Australian authors and illustrators. The classic books included are- Bed Tails by Meredith Costain and Mitch Vane Sophie's Big Bed by Tina Burke Baby Tawnies by Judy Paulson It's Bedtime, William! by Deborah Niland One Very Tired Wombat by Renee Treml A Bear and a Tree by Stephen Michael King Jesse by Tim Winton and Maureen Prichard Come Down, Cat! by Sonya Hartnett and Lucia Masciullo

In 7 languages, this book explores the rich history and myriad uses of chanting the most powerful mantra for the modern age that has kindled the recent explosion of interest in this ancient art. The Vedas proclaim that chanting the Hare Krishna mantra is the maha-sadhana, the best and only yoga practice for this dark age of conflict, wherein terror and tension prevail. It is the most powerful way to open the heart and experience ecstatic divine love. There can be no peace or harmony in the world unless the people of all nations garland their hearts with the Hare Krishna mantra. Throughout the centuries, all divine masters have taught the same principle-praise the Lord by singing and chanting His holy names. Such praise will pacify the mind, cleanse the heart of lust, anger and greed, and surcharge the soul with joy. The Art of Chanting Hare Krishna reveals the science of Mantra Yoga and describes over 60 scientifically proven meditation techniques while chanting by giving practical suggestions for improving concentration and controlling the mind. Discover Spirit in Sound by accepting this sublime process and swim in the ocean of ever expanding bliss.

Sanātana Gosvāmī wrote Bṛhad-vaiṣṇava-toṣaṇī, an elaborate commentary on the Tenth Canto to explain in detail what Śrīdhara Svāmī covered briefly, and to give devotional meaning where Śrīdhara Svāmī gave brahmanvada explanations. Jīva Gosvāmī wrote Laghu-vaiṣṇava-toṣaṇī as a summary version of Bṛhad-vaiṣṇava-toṣaṇī. The commentaries on first eight chapters of the Tenth Canto are virtually the same but after that point there are increasing differences. Ultimately this commentary is approximately same size as the Bṛhad-vaiṣṇava-toṣaṇī. He completed this work in Śakābda 1504.