‘The writing is warm and witty and I quickly grew to love the characters.’ Beth O’Leary, author of The Flatshare ‘A feat of a debut!’ Laura Jane Williams, author of Our Stop To get up from rock bottom, you’ve got to take the stairs...

On the eve of the Muslim festival of Eid, Narguiss, who 'never wanted anything to do with politics', is more preoccupied with family problems than with the radio news of kidnappings and murders. Nearby, Leia, Januário and their young daughter are caught up in the pleasure and security of finally finding a flat of their own, while Mena, who was once the beauty of her village, overhears her husband plotting murder. Before dawn, these innocent people seeking to lead peaceful lives are thrown together in a vicious conspiracy to infiltrate and destabilise Mozambique. Skilfully weaving together present events and age-old traditions through narrative 'snapshots', Lília Momplé gives us, in the drama of a few short hours, an insight into the consequences of Mozambique's complex history.

It is 1876, the year of the Centennial in Philadelphia. Katherine has lost her twin sister Anna in a tragic skating accident. One wickedly hot September day, Katherine sets out for the exhibition grounds to cut short the haunted life she no longer wants to live. Filled with vivid detail that artfully brings the past to life, National Book Award nominee Beth Kepart's DANGEROUS NEIGHBORS is a timeless and finely crafted novel about betrayal and guilt, hope and despair, love, loss, and new beginnings. Publisher’s Weekly Starred Review Set in Philadelphia against the back-drop of the 1876 Centennial Exhibition (the first World’s Fair in the U.S.), this atmospheric novel traces the sentiments of grief-stricken Katherine, whose identical twin sister, Anna, died in a tragic accident earlier in the year. As the novel opens, Katherine, who feels responsible for Anna’s death, has decided to take her own life. Again and again, she is drawn to the exhibition grounds. Here, futuristic marvels and unexpected events-including a disastrous fire- detain her from completing her suicidal mission. Losing herself in a throng of strangers, she examines her past, recalling the development of her sister’s secret romance with a “dangerous neighbor” and the final sequence of events that led to Anna’s death. Conjuring sharp, meticulously detailed images of fair exhibitions (“The wonders of the world slide past. Parisian corsets cavorting on their pedestals. Vases on lacquered shelves. Folding beds. Walls of cutlery. The sweetest assortment of sugar-colored pills, all set to sail on a yacht”), Kephart (The Heart is Not a Size) evokes a tantalizing portrait of love, remorse, and redemption. Ages 12-up. (Aug.)

In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

Though a majority of commentators have admitted or naturally assumed that there were many divergences amongst the Pauline churches, many tend to concentrate on similarities more than dissimilarities (contra John M. G. Barclay; Craig de Vos). Especially, the previous scholarly treatments of divergences in the Pauline churches have shed little light on certain areas of study, in particular the early Christians’ socio-economic status. The thesis, therefore, underlines the conspicuous differences between the Thessalonian and Corinthian congregations concerning their socio-economic compositions, social relationships, and further social identities, while extrapolating certain circles of causality between them through socio-economic and social-scientific criticism. This study concludes Paul’s teachings of grace, community, and ethics were manifested and modified in different communities in different ways because of these different socio-economic contexts.

Gene Wolfe's In Green's Jungles is the second volume, after On Blue's Waters, of his ambitious SF trilogy, The Book of the Short Sun. It is again narrated by Horn, who has embarked on a quest from his home on the planet Blue in search of the heroic leader Patera Silk. Now Horn's identity has become ambiguous, a complex question embedded in the story, whose telling is itself complex, shifting from place to place, present to past. Horn recalls visiting the Whorl, the enormous spacecraft in orbit that brought the settlers from Urth, and going thence to the planet Green, home of the blood-drinking alien inhumi. There, he led a band of mercenary soldiers, answered to the name of Rajan, and later became the ruler of a city state. He has also encountered the mysterious aliens, the Neighbors, who once inhabited both Blue and Green. He remembers a visit to Nessus, on Urth. At some point, he died. His personality now seemingly inhabits a different body, so that even his sons do not recognize him. And people mistake him for Silk, to whom he now bears a remarkable resemblance. In Green's Jungles is Wolfe's major new fiction, The Book of the Short Sun, building toward a strange and seductive climax. "Wolfe's narrative glows, rich and seductive as ever."--Kirkus Reviews At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A New York Times Notable Book of the Year: A deliciously entertaining account of expatriate life in a small village just outside Verona, Italy. Tim Parks is anything but a gentleman in Verona. So after ten years of living with his Italian wife, Rita, in a typical provincial Italian neighborhood, the novelist found that he had inadvertently collected a gallery full of splendid characters. In this wittily observed account, Parks introduces readers to his home town, with a statue of the Virgin at one end of the street, a derelict bottle factory at the other, and a wealth of exotic flora and fauna in between. Via Colombare, the village’s main street, offers an exemplary hodgepodge of all that is new and old in the bel paese, a point of collision between invading suburbia and diehard peasant tradition. It is a world of creeping vines, stuccoed walls, shotguns, security cameras, hypochondria, and expensive sports cars. More than a mere travelogue, Italian Neighbors is a vivid portrait of the real Italy and a compelling story of how even the most foreign people and places gradually assume the familiarity of home. “One of the most delightful travelogues imaginable . . . so vivid, so packed with delectable details.” —Los Angeles Times Book Review