This is the story of the Charlottetown family as seen through the eyes of the oldest boy, Fred "Fiddler" MacDonald. This memoir tells of Frederick James' journeys in the City, starting with his days as a newspaper and a shoe-shine boy while attending Queen Square School, an all-boys Catholic school in the centre of the City. The story retraces his paper route in the mid-1950's and the people that he encountered in his travels.

Companion CD contains 13 recordings from 1942-1952.

A sparkling and eye-opening history of the Broadway musical that changed the world In the half-century since its premiere, Fiddler on the Roof has had an astonishing global impact. Beloved by audiences the world over, performed from rural high schools to grand state theaters, Fiddler is a supremely potent cultural landmark. In a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is a story of the theater, following Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last big book musicals, and his ultimate destination—a major Hollywood picture. Solomon reveals how the show spoke to the deepest conflicts and desires of its time: the fraying of tradition, generational tension, the loss of roots. Audiences everywhere found in Fiddler immediate resonance and a usable past, whether in Warsaw, where it unlocked the taboo subject of Jewish history, or in Tokyo, where the producer asked how Americans could understand a story that is "so Japanese." Rich, entertaining, and original, Wonder of Wonders reveals the surprising and enduring legacy of a show about tradition that itself became a tradition. Wonder of wonders, miracle of miracles.

From the backwaters of Georgia to the taverns of Philadelphia, Fin Button is the talk of the colonies. The British say she's a priate. The Americans call her a mutineer. The crew of the Rattlesnake call her the most unlikely thing of all: captain.

A police detective hunts for a pattern in a puzzling murder spree in this mystery by “a master” (Time). A blind violinist taking a smoke break. A cosmetics sales rep cooking an omelet in her own kitchen. A college professor trudging home from class. A priest contemplating retirement in the rectory garden. An old woman walking her dog. These are the seemingly random targets, all shot twice in the face. But most serial killers don’t use guns. Most serial killers don’t strike five times in two weeks. And most serial killers’ victims have something more in common than just being over fifty years of age. Now it falls to Det. Steve Carella and his colleagues in the 87th Precinct to find a connection that will crack this case—before another body is found. As Entertainment Weekly said about this long-running, much-loved police procedural series: “Imagine your favorite Law & Order cast solving fresh mysteries into infinity, with no reruns, and you have some sense of McBain’s grand, ongoing accomplishment.”

The critically acclaimed, bestselling author of News of the World and Enemy Women returns to Texas in this atmospheric story, set at the end of the Civil War, about an itinerant fiddle player, a ragtag band of musicians with whom he travels trying to make a living, and the charming young Irish lass who steals his heart. In March 1865, the long and bitter War between the States is winding down. Till now, twenty-three-year-old Simon Boudlin has evaded military duty thanks to his slight stature, youthful appearance, and utter lack of compunction about bending the truth. But following a barroom brawl in Victoria, Texas, Simon finds himself conscripted, however belatedly, into the Confederate Army. Luckily his talent with a fiddle gets him a comparatively easy position in a regimental band. Weeks later, on the eve of the Confederate surrender, Simon and his bandmates are called to play for officers and their families from both sides of the conflict. There the quick-thinking, audacious fiddler can’t help but notice the lovely Doris Mary Dillon, an indentured girl from Ireland, who is governess to a Union colonel’s daughter. After the surrender, Simon and Doris go their separate ways. He will travel around Texas seeking fame and fortune as a musician. She must accompany the colonel’s family to finish her three years of service. But Simon cannot forget the fair Irish maiden, and vows that someday he will find her again. Incandescent in its beauty, told in Paulette Jiles’s trademark spare yet lilting style, Simon the Fiddler is a captivating, bittersweet tale of the chances a devoted man will take, and the lengths he will go to fulfill his heart’s yearning. "Jiles’ sparse but lyrical writing is a joy to read. . . . Lose yourself in this entertaining tale.” — Associated Press

"A country of fiddlers and poets, whores and scoundrels"--Nelson's famous description of Naples--was a world eagerly embraced by a young Irish doctor called James Lowry who went to sea, apparently, for the sheer sense of adventure and a desire for exotic travel. Sent to join Nelson's victorious fleet after the Battle of the Nile, he experienced more naval action and saw more foreign climes than he had anticipated. What really engaged his interest (and enthusiasm) was the relaxed sexual mores of Italian society. With no thought that his memoirs would be published, he recounted his adventures in rather more detail than might be thought proper. This fascinating account lay hidden in the hands of Lowry's family for two hundred years before its first publication in 2006.