Richard Swinburne presents a powerful case for substance dualism and libertarian free will. He argues that pure mental and physical events are distinct, and defends an account of agent causation in which the soul can act independently of bodily causes. We are responsible for our actions, and the findings of neuroscience cannot prove otherwise.

Rhyming verses describe many types of bird beaks. Includes factual information about thirty-nine birds found in the Northern Hemisphere.

The Coherence of Theism investigates what it means, and whether it is coherent, to say that there is a God. Richard Swinburne concludes that despite philosophical objections, most traditional claims about God are coherent (that is, do not involve contradictions); and although some of the most important claims are coherent only if the words by which they are expressed are being used in analogical senses, this is the way in which theologians have usually claimed that they are being used. When the first edition of this book was published in 1977, it was the first book in the new 'analytic' tradition of philosophy of religion to discuss these issues. Since that time there have been very many books and discussions devoted to them, and this new, substantially rewritten, second edition takes account of these discussions and of new developments in philosophy generally over the past 40 years. These discussions have concerned how to analyse the claim that God is 'omnipotent', whether God can foreknow human free actions, whether God is everlasting or timeless, and what it is for God to be a 'necessary being'. On all these issues this new edition has new things to say.

Algernon Charles Swinburne (1837-1909) was one of the literary sensations of the Victorian period. His iconoclastic poetry and prose challenged attitudes to sex, politics, religion and censorship. Not only writing some of the most original lyric poetry of the time and pioneering criticism, Swinburne became a cultural icon. In the 1860s his very name was a symbol of progressive forces emerging in a repressive age. Readers across the world identified with the paganism and humanism of his poetry. Swinburne's was a turbulent life lived against a backdrop of beautiful settings in the Isle of Wight and Northumberland, and shared with a host of Victorian luminaries, or artists and writers such as D G Rossetti, Elizabeth Siddal, Burne-Jones, Morris and Simeon Solomon. It is a life touched by early tragedy and romantic disappointment, by extraordinary fame and abject loneliness, by masochism and alcoholism, but above all by an unquenchable vivacity. At the centre was the charmingly spoken, excitable genius whom Burne-Jones described as 'quite the most poetic personality I have ever known.' the artistic prodigy who seemed to have read almost everything, who was as happy revelling in the sea as in literary discourse. Based on new research and many unpublished letters, Rikky Rooksby sheds light on Swinburne's personality and relationships, and discusses how Swinburne's poetry develops from early pessimism to a recovered joy in the energies of the natural world. This biography is a sympathetic and fresh account of one of the most colourful figures in English literature.