"He's a psycho." That's what Mike is told when he asks who the kid is with the dark swoop of hair and eyes that look like icebergs floating in milk. From that moment, it becomes Mike's mission to find out everything about this kid. The kid who can fight better than anyone, but doesn't want to. The kid who is the greatest artist Mike's ever met. The kid who only wants to be his friend during the lightest days of summer. The kid who tells him that being his friend at school will only ruin Mike's reputation. Regardless of what the kid tells Mike, he doesn't realize that summer is the best time--it has the most light--and it makes it easier for Mike to see who he truly is. And there's no way Mike will back off once he sees this kid for who he truly is.

In 1943, against utterly hopeless odds, the Jews of the Warsaw Ghetto rose up to defy the Nazi horror machine that had set out to exterminate them. One of the leaders of the Jewish Fighting Organization, which led the uprisings, was Yitzhak Zuckerman, known by his underground pseudonym, Antek. Decades later, living in Israel, Antek dictated his memoirs. The Hebrew publication of Those Seven Years: 1939-1946 was a major event in the historiography of the Holocaust, and now Antek's memoirs are available in English. Unlike Holocaust books that focus on the annihilation of European Jews, Antek's account is of the daily struggle to maintain human dignity under the most dreadful conditions. His passionate, involved testimony, which combines detail, authenticity, and gripping immediacy, has unique historical importance. The memoirs situate the ghetto and the resistance in the social and political context that preceded them, when prewar Zionist and Socialist youth movements were gradually forged into what became the first significant armed resistance against the Nazis in all of occupied Europe. Antek also describes the activities of the resistance after the destruction of the ghetto, when 20,000 Jews hid in "Aryan" Warsaw and then participated in illegal immigration to Palestine after the war. The only extensive document by any Jewish resistance leader in Europe, Antek's book is central to understanding ghetto life and underground activities, Jewish resistance under the Nazis, and Polish-Jewish relations during and after the war. This extraordinary work is a fitting monument to the heroism of a people.

When the city starts to be hit by regular blackouts, and Luz's mother has trouble affording gas and groceries, Luz decides that she will do what she can do in her own neighborhood, with her friends and neighbors, to become less reliant on fossil fuels.

In this unforgettable space opera, #1 New York Times bestselling author George R. R. Martin presents a chilling vision of eternal night—a volatile world where cultures clash, codes of honor do not exist, and the hunter and the hunted are often interchangeable. A whisperjewel has summoned Dirk t’Larien to Worlorn, and a love he thinks he lost. But Worlorn isn’t the world Dirk imagined, and Gwen Delvano is no longer the woman he once knew. She is bound to another man, and to a dying planet that is trapped in twilight. Gwen needs Dirk’s protection, and he will do anything to keep her safe, even if it means challenging the barbaric man who has claimed her. But an impenetrable veil of secrecy surrounds them all, and it’s becoming impossible for Dirk to distinguish between his allies and his enemies. In this dangerous triangle, one is hurtling toward escape, another toward revenge, and the last toward a brutal, untimely demise. Praise for Dying of the Light “Dying of the Light blew the doors off of my idea of what fiction could be and could do, what a work of unbridled imagination could make a reader feel and believe.”—Michael Chabon “Slick science fiction . . . the Wild West in outer space.”—Los Angeles Times “Something special which will keep Worlorn and its people in the reader’s mind long after the final page is read.”—Galileo magazine “The galactic background is excellent. . . . Martin knows how to hold the reader.”—Asimov’s “George R. R. Martin has the voice of a poet and a mind like a steel trap.”—Algis Budrys

A funny and haunting new novel from "one of the most acclaimed novelists of her generation" (Los Angeles Times). Hal is a mild-mannered IRS bureaucrat who suspects that his wife is cheating with her younger, more virile coworker. At a drunken dinner party, Hal volunteers to fly to Belize in search of Susan's employer, T.—the protagonist of Lydia Millet's much-lauded novel How the Dead Dream—who has vanished in a tropical jungle, initiating a darkly humorous descent into strange and unpredictable terrain. Salon raved that Millet's "writing is always flawlessly beautiful, reaching for an experience that precedes language itself." In Ghost Lights, she combines her characteristic wit and a sharp eye for the weirdness that governs human (and nonhuman) interactions. With the scathing satire and tender honesty of Sam Lipsyte and a dark, quirky, absurdist style reminiscent of Joy Williams, Millet has created a comic, startling, and surprisingly philosophical story about idealism and disillusionment, home and not home, and the singular, heartbreaking devotion of parenthood.

Born in a Mesopotamian village in the third century, the son of a Parthian warrior, Mani grows up in a volatile and dangerous world. As battle rages for control over the Middle East between the great Roman and Persian empires, as Jews and Christians, Buddhists and Zoroastrians fight for ascendency, Mani- painter, mystic, physician and prophet- makes his way through the battlefields to preach to his incandescent doctrine of humility, tolerance and love, a doctrine that comes to be known as Manicheanism. A vivid glimpse of the ancient world in all its perfumed splendour and cruelty, an elegantly philosophical discourse on the fall of man, THE GARDENS OF LIGHT is a story of great beauty and resonance, exquisitely told.

"He's a psycho." That's what Mike is told when he asks who the kid is with the dark swoop of hair and eyes that look like icebergs floating in milk. From that moment, it becomes Mike's mission to find out everything about this kid. The kid who can fight better than anyone, but doesn't want to. The kid who is the greatest artist Mike's ever met. The kid who only wants to be his friend during the lightest days of summer. The kid who tells him that being his friend at school will only ruin Mike's reputation. Regardless of what the kid tells Mike, he doesn't realize that summer is the best time--it has the most light--and it makes it easier for Mike to see who he truly is. And there's no way Mike will back off once he sees this kid for who he truly is.