When Kris Golding leaves his dusty Kansas hometown for a fresh start in New York, he thinks an apartment and a job are waiting for him. But when he finds neither, rather than admit defeat, he takes his chances busking-and meets Rayne Bakshi of international rock band The Chokecherries. Rayne needs a new guitarist, and gives Kris his first break since leaving home. Rayne wears makeup and glitter and thinks nothing of kissing Kris in front of twenty thousand screaming fans for the attention. Instantly infatuated, Kris begins to question whether he might have a crush on Rayne-could he be bisexual? But since Kris originally claimed to be straight, Rayne's wary of getting involved offstage. As their tour gains momentum, Kris's sexuality becomes the least of his troubles. Between his conservative brother hell-bent on "rescuing" him from his life of debauchery, a peacock that may or may not be the avatar of a cult god, and a publicity stunt that threatens to upend the band, Kris is definitely not in Kansas anymore.

#1 New York Times bestselling author! In Rainbow Rowell's Fangirl, Cath is a Simon Snow fan. Okay, the whole world is a Simon Snow fan, but for Cath, being a fan is her life-and she's really good at it. She and her twin sister, Wren, ensconced themselves in the Simon Snow series when they were just kids; it's what got them through their mother leaving. Reading. Rereading. Hanging out in Simon Snow forums, writing Simon Snow fan fiction, dressing up like the characters for every movie premiere. Cath's sister has mostly grown away from fandom, but Cath can't let go. She doesn't want to. Now that they're going to college, Wren has told Cath she doesn't want to be roommates. Cath is on her own, completely outside of her comfort zone. She's got a surly roommate with a charming, always-around boyfriend, a fiction-writing professor who thinks fan fiction is the end of the civilized world, a handsome classmate who only wants to talk about words . . . And she can't stop worrying about her dad, who's loving and fragile and has never really been alone. For Cath, the question is: Can she do this? Can she make it without Wren holding her hand? Is she ready to start living her own life? And does she even want to move on if it means leaving Simon Snow behind? A New York Times Book Review Notable Children's Book of 2013 A New York Times Best Seller!

A collection of women's sexual fantasies from women around the world, Want is a revelatory, sensational and game-changing exploration of women's sexuality that asks, and answers: How do women feel about sex when they have the freedom to be totally anonymous? What do you want when no one is watching? Who do you fantasize about when the lights are off? When you think about sex, what do you really want? When we talk about sex, we talk about womanhood and motherhood, infidelity and exploitation, consent and respect, fairness and egalitarianism, love and hate, pleasure and pain. And yet so many of us don't talk about it at all. In this groundbreaking book, Gillian Anderson collects and introduces the anonymous sexual fantasies of hundreds of women from around the world (along with her own anonymous fantasy). The fantasies are extraordinary: they are full of desire, fear, intimacy, shame, satisfaction and, ultimately, liberation. From fantasising about someone off-limits to conjuring a scene with multiple partners, from sex that is gentle and tender to passionate and playful, from women who have never had sex to women who have had more sex than they can remember, these letters provide a window into the most secret part of our minds. Want reveals how women feel about sex when they have the freedom to be totally themselves.

The 1980s is remembered as a time of big hair, synthetic music, and microwave cookery. It is also remembered as the heyday of conservative politics, socioeconomic inequality, and moral panics. It is dichotomously remembered as either a nostalgic age of innocence or a regressive moral wasteland, depending on who you ask, and when. But, most of all, it is remembered. In retro fashion trends, in '80s-based film and television narratives, and through countless rebooted movies, video games, superheroes, and even political slogans imploring us to Make America Great Again (Again). More than merely a historical period, "the '80s" has grown into a contested myth, ever-evolving through the critical and expressive lens of popular culture. This book explores the many shapes the '80s mythos has taken across a diverse array of media. Essays examine television series such as Stranger Things, Cobra Kai, and POSE, films such as Dallas Buyers Club, Summer of '84, and Chocolate Babies, as well as video games, pop music, and toys. Collectively, these essays explore how representations of the 1980s influence the way we think about our past, our present, and our future.

The Music of Film opens up the world of film music from the inside. Through a series of interviews and conversations with professional composers, music supervisors, music editors, and picture editors, this book shows how music for film and television works according to insiders in the industry. Here we find a comprehensive collection of techniques and personal insights and get a unique perspective on how these key players in postproduction interact, collaborate, and successfully build their careers. The Music of Film is essential reading for composers, editors, directors, and producers—aspiring and established alike—or anyone interested in learning how to start or manage a profession working with music in feature films, television, and other media.

On the surface, Summer Reynolds and Brody Martin are worlds apart. She is a small-town librarian, and he is a famous country music superstar. But when their eyes meet backstage after a concert, their worlds collide in a moment of perfect serendipity. Summer had expected to feel star struck, but not love struck. And Brody was surprised to have found the missing piece of his heart in the last place he would have expected. Until the moment they met, neither one of them had believed in love at first sight. The obstacles they have to overcome on the way to their happily ever after threatened to tear them apart, until Brody was willing to make the ultimate sacrifice so his Summer love could become his lifetime love. Other characters in Summer Love in Music City deserve to have their stories told, and I hope to bring them to life.