This book explores the core concept of Chinese ancient architecture from a multidisciplinary perspective. It aims to contribute to the development, inheritance, and protection of Chinese ancient architectural culture, while also benefiting the sustainable development of modern architecture. This book follows a main line of inquiry, exploring the rich and harmonious ideas present in Chinese ancient architecture. It combines the traditional Chinese culture and architectural ideas, and examines the original thought that forms the foundation of the traditional Chinese architectural culture of “harmony” from various aspects. Firstly, the book describes the Taoist theory of the harmony between man and nature, as expressed through different architectural elements. Secondly, it discuses the system of harmony among people influenced by Confucianism. Lastly, it explores the significance of Buddhism in Buddhist architecture. Finally, it also examines the difference in the emodiment of harmonious ideas between Chinese and Western architectures. This book studies and analyzes the type and characteristics of Chinese ancient architecture, the architectural objects, and the simple ecological environment views contained within the architectural concept. It not only analyzes the historical development context, but also provides physical examples of architectural types, and explores the influence of regional environmental factors. The target audience for this book includes scholars in universities and scientific research departments, particularly those studying architectural aesthetics, history and philosophy, it is also suitable for the ordinary readers who have interest in Chinese traditional architectural culture.

Professor Zhiping Liang offers a new understanding of Chinese legal tradition in this profoundly influential book. Unlike the available literature using the usual method of legal history research, this book attempts to illustrate ancient Chinese legal tradition through cultural interpretation. The author holds that both the concept and practice of law are meaningful cultural symbols. The law reveals not only the life pattern in a specific time and space but also the world of the mind of a specific group of people. Therefore, just as cultures have different types, laws embedded in different societies and cultures also have different characters and spirits. Believing that human experience is often condensed into concepts, categories, and classifications, the author begins his discussion with the analysis of relevant terms and then seeks to understand history by interpreting the interaction and interconnectedness of the words, ideas, and practices. Based on the same understanding, the author uses modern concepts reflectively and critically, consciously exploiting the differences between ancient and contemporary Chinese and Western concepts to achieve a more realistic understanding of history while avoiding the ethnocentrism and modern-centrism common in historical studies.

A General Introduction to Chinese Culture is a book introducing Chinese culture from the perspectives of institutional culture, material culture and spiritual culture by starting from the exploration over implications of culture, backgrounds, and basic characteristics of traditional Chinese culture. Well-documented, rich in materials and rigorous in theory, the book describes and analyzes almost all aspects of traditional Chinese culture both at macro and micro levels. Innovative and thought-provoking ideas can be found in the summary of the basic characteristics of Chinese culture as well as in the analysis of theoretical issues such as traditional Chinese economic thought, political ideas, the patriarchal system, the imperial examination system, science and technology, academics, religions, cultural spirit and aesthetic pursuits of literature and art, etc. With dialectical and scientific argumentation, the interpretation of traditional culture embodies contemporary consciousness, and it well reflects the latest level of research on traditional Chinese culture. This book has also been used as textbook by the Chinese universities for the graduate students to learn about Chinese culture. Awarded the Second Prize of the National University Press Bestseller by Chinese University Press Association and listed top in the recommended bibliography by many libraries, this book has been reprinted many times and well received by all readers.

The bibliographical essays on the studies of the ethnic Chinese in the ASEAN states will be extremely useful as it is the first monograph of its kind and also up-to-date. It begins with a general overview on the studies of the ethnic Chinese in the ASEAN states, and is followed by five country studies and two essays on specific topics. All essays in this volume were written by specialists.

China is forecast to be the primary tourist destination and tourist-generating country by 2020. However, much of the writing on tourism in China has come from people within the English academic world who are not involved in the issues related to Chinese tourism development. This book provides a voice to Chinese mainland academic researchers and examines the nature of tourism research and tourism development in China. Contributors, many of whom are based in China and are immersed in the daily issues of teaching, researching and planning tourism development within China, discuss issues related to resource use, destination image and community participation with case studies that combine conceptual frameworks and practical issues. This authoritative text on tourism in China will be of interest to scholars and students of tourism throughout the world.

Feng Shui is not all about tradition. The integration and harmony between the natural and built environments concerning modern architecture has long been discussed in Feng Shui, or more academically, Kan Yu. Based on Scientific Feng Shui for the Built Environment: Fundamentals and Case Studies published in 2011, this enhanced new edition has further taken into account the enhancements and new inputs in theories and applications. Emphasis is placed on two themes, sustainability and science. New case studies regarding sustainable design as viewed from a Feng Shui perspective, and integrated applications of different architectural models and their associations with Feng Shui concepts are added and elaborated. On science, other than exploring the new development of particle physics in relation to Feng Shui studies, a totally new approach to numerology and Luo Shu study based on modern linear algebra may bring readers new insight into the possibility of researching Feng Shui mathematically, in addition to the use of spherical trigonometry. This book offers a remarkable in-depth view of Feng Shui by integrating the historical theories with scientific explorations and examples of applications. It once again demonstrates that Feng Shui can be studied scientifically, and eventually scientific Feng Shui may become a new field of science in the academic world as well as a professional and orthodox discipline of architectural design for the built environment. Published by City University of Hong Kong Press. 香港城市大學出版社出版。