Death in Venice, by Nobel Prize-winning author Thomas Mann, is one of the most popular and widely taught works of German literature. It is also a complex work of art that challenges its readers. This reference is a convenient guide to the novella. In addition to providing a plot summary, the volume helps students and general readers discover the literary and intellectual qualities of Mann's famous story. The guide alsos surveys Mann's life and works, compares Death in Venice to Mann's other fiction, as well as to works by other writers, summarizes the events Mann relates, and discusses the genesis, editions, and English translations of his novella. Mann's literary and non-literary influences are considered, along with his narrative style, and the historical, cultural, and sociological factors surrounding Death in Venice. The guide also explains how the issues Mann treated remain current today, and reviews the critical and scholarly reception of his text.

One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.

Death in Venice, by Nobel Prize-winning author Thomas Mann, is one of the most popular and widely taught works of German literature. It is also a complex work of art that challenges its readers. This reference is a convenient guide to the novella. In addition to providing a plot summary, the volume helps students and general readers discover the literary and intellectual qualities of Mann's famous story. The guide alsos surveys Mann's life and works, compares Death in Venice to Mann's other fiction, as well as to works by other writers, summarizes the events Mann relates, and discusses the genesis, editions, and English translations of his novella. Mann's literary and non-literary influences are considered, along with his narrative style, and the historical, cultural, and sociological factors surrounding Death in Venice. The guide also explains how the issues Mann treated remain current today, and reviews the critical and scholarly reception of his text.

A classic, controversial book exploring German culture and identity by the author of Death in Venice and The Magic Mountain, now back in print. When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation. Thomas took it as an unforgivable stab in the back. The bitter dispute between the brothers would swell into the strange, tortured, brilliant, sometimes perverse literary performance that is Reflections of a Nonpolitical Man, a book that Mann worked on and added to throughout the war and that bears an intimate relation to his postwar masterpiece The Magic Mountain. Wild and ungainly though Mann’s reflections can be, they nonetheless constitute, as Mark Lilla demonstrates in a new introduction, a key meditation on the freedom of the artist and the distance between literature and politics. The NYRB Classics edition includes two additional essays by Mann: “Thoughts in Wartime” (1914), translated by Mark Lilla and Cosima Mattner; and “On the German Republic” (1922), translated by Lawrence Rainey.

Thomas Mann owes his place in world literature to the dissemination of his works through translation. Indeed, it was the monumental success of the original English translations that earned him the title of 'the greatest living man of letters' during his years in American exile (1938-52). This book provides the first systematic exploration of the English versions, illustrating the vicissitudes of literary translation through a principled discussion of a major author. The study illuminates the contexts in which the translations were produced before exploring the transformations Mann's work has undergone in the process of transfer. An exemplary analysis of selected textual dimensions demonstrates the multiplicity of factors which impinge upon literary translation, leading far beyond the traditional preoccupation with issues of equivalence. Thomas Mann in English thus fills a gap both in translation studies, where Thomas Mann serves as a constant but ill-defined point of reference, and in literary studies, which has focused increasingly on the author's wider reception.

Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.

This is the first up-to-date biography in English of Thomas Mann (1875-1955), perhaps the greatest German novelist of the twentieth century. Mann was the author of several classics of modern European fiction, including Death in Venice, The Magic Mountain, Buddenbrooks, and The Confessions of Felix Krull, Confidence Trickster, the winner of the Nobel Prize for Literature, and a staunch opponent of Nazism (which eventually drove him intoexile). Celebrated biographer Donald Prater traces Mann's life and work, from his upbringing in Lubeck, through his years in Munich, his exile in the US, and his last years in Switzerland. He discusses Mann's relationship with his novelist brother Heinrich, his homosexuality, his career as aprolific essayist, and the vast achievement of his novels. But the biography devotes particular attention to Mann's political thinking and his role in the rise and fall of Hitlerism. In Mann's development from nationalistic conservatism to a vigorous humanist anti-Nazism, Prater sees a fascinatingand crucially important illustration of the 'German problem' still so much of relevance to the Europe of today. Elegantly written, and always entertaining, Thomas Mann: A Life will take its place as the major biography of Mann.