The first anthology to present the most exciting and unexpected new movement in American poetry-the revival of rhyme, meter, and narrative among poets-Rebel Angels gathers the best work of twenty-five poets who write memorably and movingly in a dazzling variety of forms-some traditional, some newly minted-out of the diverse experiences of their generation. Contributors include Elizabeth Alexander, Julia Alvarez, Bruce Bawer, Rafael Campo, Tom Disch, Frederick Feirstein, Dana Gioia, Emily Grosholz, R.S. Gwynn, Marilyn Hacker, Rachel Hadas, Andrew Hudgins, Paul Lake, Sydney Lea, Brad Leithauser, Phillis Levin, Charles Martin, Marilyn Nelson, Molly Peacock, Wyatt Prunty, Mary Jo Salter, Timothy Steele, Frederick Turner, Rachel Wetzsteon, and Greg Williamson.

This critical work considers the role played by elements that might be considered aberrational in a poet's oeuvre. With an introductory essay exploring the nature of aberration, these fourteen contributions investigate the work of major 20th-century poets from the U.S., Britain, Ireland, Australia and New Zealand. Aberration is considered from the standpoint of both the artist and the audience, prompting discussion on a range of important issues, including the formation of the canon. Each essay discusses the status of the aberrant work and the ways in which it challenges, enlarges or supports the overall perception of the poet.

An anthology on the 50th anniversary of the dropping of the A-bomb on Japan. In When We Say Hiroshima, Sadako writes: "When we say Hiroshima, / do people answer, gently, / Ah, Hiroshima? / Say Hiroshima, and hear Pearl Harbor. / Say Hiroshima, and hear Rape of Nanjing. / Say Hiroshima, and hear of women and children / thrown into trenches, doused with gasoline, / and burned alive in Manila ... Say Hiroshima, / and we don't hear, gently, / Ah, Hiroshima."

This “wholly attractive volume” that brings together twenty-five years of “elegantly shaped and voiced creations” (William Pritchard, The Boston Globe) offers a generous sampling of Mary Jo Salter’s five previous award-winning volumes and a collection of superb new poems. A mid-career retrospective of one of the major poets of her generation.

International Security Studies (ISS) has changed and diversified in many ways since 1945. This book provides the first intellectual history of the development of the subject in that period. It explains how ISS evolved from an initial concern with the strategic consequences of superpower rivalry and nuclear weapons, to its current diversity in which environmental, economic, human and other securities sit alongside military security, and in which approaches ranging from traditional Realist analysis to Feminism and Post-colonialism are in play. It sets out the driving forces that shaped debates in ISS, shows what makes ISS a single conversation across its diversity, and gives an authoritative account of debates on all the main topics within ISS. This is an unparalleled survey of the literature and institutions of ISS that will be an invaluable guide for all students and scholars of ISS, whether traditionalist, 'new agenda' or critical.