A Study Guide for Lars Gustafsson's "Greatness Strikes Where It Pleases," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.

Gustafsson, Stories of Happy People. Ten short stories map the range of human contentment.

"An exciting new anthology of short fiction chosen by thirty-five of this country's most distinguished and popular fiction writers, You've Got to Read This offers readers an unusually intimate glimpse into how accomplished writers experience literature." "Here are stories that inspired today's leading novelists and short-story writers to embark on their own writing careers, stories that took their breath away and changed them, or the way they responded to literature, forever. Oscar Hijuelos confesses his debt to the great Argentine writer Jorge Luis Borges, whose brilliant story "The Aleph" inspired him to become a writer himself. Mary Gordon stands in awe of what James Joyce wrought in "The Dead," and wonders how writers who come after him can equal it. Robert Coover writes movingly of Angela Carter and her mysterious story "Reflections," while Kenneth A. McClane says that "Sonny's Blues" by James Baldwin literally saved his life." "Some of the stories presented here are classics, like Anton Chekhov's "Gooseberries," introduced by Eudora Welty, or Flannery O'Connor's "A Good Man Is Hard to Find," selected by Sue Miller. Some are less well known, like Lars Gustafsson's "Greatness Strikes Where It Pleases," introduced by Charles Baxter, or John Updike's "Packed Dirt, Churchgoing, a Dying Cat, a Traded Car," whose beauty stunned Lorrie Moore." "All were critically important to some of our finest contemporary writers - among them Annie Dillard, John Irving, Amy Tan, Louise Erdrich, Russell Banks, Jane Smiley, Bobbie Ann Mason, Tobias Wolff - and their comments about the selections offer fascinating entrances into the stories. For lovers of fiction, You've Got to Read This is a treasure trove, a dazzling collection of stories passionately and imaginatively chosen."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

“It was surprising what old experiences remembered could do to a presumably educated, civilized man.” And Hugh Denismore, a young doctor driving his mother’s Cadillac from Los Angeles to Phoenix, is eminently educated and civilized. He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later? Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

The advent of the new age has alerted us to the conflicted nature of historical memory which defined the 20th century while simultaneously assaulting us with new historical upheavals that demand responsibility and critical consideration. As the historical text bears traces of the writing subject, the element of deception is remarkable, meaning historical memory easily lends itself to forgery and false and subjective projections. As such, how do we think about the past, about history, about memory, and how does memory function? Is history an objective account, a collection of dry, reliable facts? Is it an imaginative narrative, tinged with nostalgia, a projection of our wishful thinking, the workings of our subjective perceptions and attitudes, our states of mind? The essays in this volume focus on the relevance of the past to the present and future in terms of the shifting attitudes to personal and collective experiences that have shaped dominant Western critical discourses about history, memory, and nostalgia. The contributors here take issue with the epistemological, hermeneutic, ethical, and aesthetic dimensions of the representational practices through which we revisit and revise the meaning of the past.

This aim of this open access book is to launch an international, cross-disciplinary conversation on fatherhood engagement. By integrating perspective from three sectors -- Health, Social Policy, and Work in Organizations -- the book offers a novel perspective on the benefits of engaged fatherhood for men, for families, and for gender equality. The chapters are crafted to engaged broad audiences, including policy makers and organizational leaders, healthcare practitioners and fellow scholars, as well as families and their loved ones.