A Study Guide for Claribel Alegria's "Accounting," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

A Study Guide for Claribel Alegria's "Accounting," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

A lucid and strikingly beautiful new collection which looks at the face of mortality, love, and aging, to explore the personal as well as universal questions that face each human being.

Death of Somoza reveals the inside story of the assassination of Anastasio Somoza Debayle in Asuncion, Paraguay in 1980. Alegria and Flakoll, on the recommendation of Julio Cortazar, met "Ramon," a leader in the Argentinian Revolutionary Workers' Party (PRT) and with his help were able to interview all the survivors of the commando team that carried out the "bringing to justice" of Somoza. Alegria and Flakoll rewove these testimonies into a narrative that reads like a thriller and gives a vivid picture of the political and social climate of the time. Enlivened by its colorful cast of characters, Death of Somoza is the definitive account of how Anastasio Somoza Debayle was brought to justice. This story is not an apology for terrorism, but rather the chronicle of a tyrannicide.

Bringing Aztlán to Mexican Chicago is the autobiography of Jóse Gamaliel González, an impassioned artist willing to risk all for the empowerment of his marginalized and oppressed community. Through recollections emerging in a series of interviews conducted over a period of six years by his friend Marc Zimmerman, González looks back on his life and his role in developing Mexican, Chicano, and Latino art as a fundamental dimension of the city he came to call home. Born near Monterey, Mexico, and raised in a steel mill town in northwest Indiana, González studied art at the School of the Art Institute of Chicago and the University of Notre Dame. Settling in Chicago, he founded two major art groups: El Movimiento Artístico Chicano (MARCH) in the 1970s and Mi Raza Arts Consortium (MIRA) in the 1980s. With numerous illustrations, this book portrays González's all-but-forgotten community advocacy, his commitments and conflicts, and his long struggle to bring quality arts programming to the city. By turns dramatic and humorous, his narrative also covers his bouts of illness, his relationships with other artists and arts promoters, and his place within city and barrio politics.

This feminist literary study discusses postmodern ideas about the self, particularly about the way in which selves are constructed by biography and autobiography. The author particularly examines the manner in which women write about themselves.