Lady Kiera Darby and her husband Sebastian Gage are looking forward to celebrating with new friends at an exciting yearly soiree, but they soon learn that murder never takes a holiday in the latest riveting installment in this national bestselling series. January 1832. After enjoying a delightful few weeks with her family, expectant mother Kiera and Sebastian Gage have been invited to the Duchess of Bowmontʼs Twelfth Night party in Traquair, Scotland. Though she normally avoids such fashionable, rambunctious events, Kiera is ready to join in the festive merrymaking. But upon their arrival at the opulent estate, it becomes obvious that all is not merry in their hostess’s home. The family appears to be under a great strain, and someone seems determined to cause mayhem among the guests with a series of forged notes. Matters swiftly turn from irksome to downright deadly when the partygoers stumble upon a decomposing body in the castleʼs crypt. The corpse is thought to be the duchessʼs son-in-law who had purportedly traveled to Paris more than a month earlier. It is evident the man met with foul play, and Kiera and Gage soon realize that a ruthless murderer walks among them—and may well be a member of the duchessʼs own family. And when the investigation takes a treacherous turn, Kiera discovers just how deep the killer is willing to dig to keep their secrets from ever seeing the light of day.

THE FIRST LADY DARBY MYSTERY “A riveting debut…an original premise, an enigmatic heroine, and a compelling Highland setting…a book you won’t want to put down.”—New York Times bestselling author Deanna Raybourn Scotland, 1830. Following the death of her husband, Lady Darby has taken refuge at her sister’s estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn’t about to let her guard down as accusations and rumors swirl. When Kiera and Gage’s search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim…

From the national bestselling author of The Anatonmist's Wife comes the second historical mystery featuring enigmatic sleuth Lady Kiera Darby. Scotland, 1830. Lady Kiera Darby is no stranger to intrigue—in fact, it seems to follow wherever she goes. After her foray into murder investigation, Kiera must journey to Edinburgh with her family so that her pregnant sister can be close to proper medical care. But the city is full of many things Kiera isn’t quite ready to face: the society ladies keen on judging her, her fellow investigator—and romantic entanglement—Sebastian Gage, and ultimately, another deadly mystery. Kiera’s old friend Michael Dalmay is about to be married, but the arrival of his older brother—and Kiera’s childhood art tutor—William, has thrown everything into chaos. For ten years Will has been missing, committed to an insane asylum by his own father. Kiera is sympathetic to her mentor’s plight, especially when rumors swirl about a local girl gone missing. Now Kiera must once again employ her knowledge of the macabre and join forces with Gage in order to prove the innocence of a beloved family friend—and save the marriage of another…

An all-new historical mystery in this USA Today bestselling series featuring beloved inquiry agents Lady Kiera Darby and her dashing husband, Sebastian Gage. Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her detractor-turned-friend Charlotte who are being wed in a private ceremony at the estate of Rye’s great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party. But when Kiera is invited to peruse Barbreck’s extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery. The marquess’s furious reaction when she dares to mention it leaves her shaken and the entire house shocked. For it turns out that this is not the first time the word forgery has been uttered in connection with the Barbreck household. Matters turn more ominous when a maid from a neighboring estate is found murdered where the forged painting hangs. Is her death connected to the forgeries, perhaps a grisly warning of what awaits those who dare to probe deeper? With unknown entities aligned against them, Kiera and Gage are forced to confront the fact that they may have underestimated their opponent. For they are swiftly made to realize that Charlotte’s and Rye’s future happiness is not the only issue at stake, and this stealthy game of cat and mouse could prove to have deadly consequences.

In this historical mystery from the national bestselling author of A Brush with Shadows, Lady Kiera Darby and Sebastian Gage get tangled in a dangerous web of religious and political intrigue. July 1831. In the midst of their idyllic honeymoon in England’s Lake District, Kiera and Gage’s seclusion is soon interrupted by a missive from her new father-in-law. A deadly incident involving a distant relative of the Duke of Wellington has taken place at an abbey south of Dublin, Ireland, and he insists that Kiera and Gage look into the matter. Intent on discovering what kind of monster could murder a woman of the cloth, the couple travel to Rathfarnham Abbey school. Soon a second nun is slain in broad daylight near a classroom full of young girls. With the sinful killer growing bolder, the mother superior would like to send the students home, but the growing civil unrest in Ireland would make the journey treacherous. Before long, Kiera starts to suspect that some of the girls may be hiding a sinister secret. With the killer poised to strike yet again, Kiera and Gage must make haste and unmask the fiend, before their matrimonial bliss comes to an untimely end...

Lady Darby returns to London with her new husband, Sebastian Gage, but newlywed bliss won't last for long when her past comes back to haunt her in the latest exciting installment in this national bestselling series. November 1831. After fleeing London in infamy more than two years prior, Lady Kiera Darby's return to the city is anything but mundane, though not for the reasons she expected. A gang of body snatchers is arrested on suspicion of imitating the notorious misdeeds of Edinburgh criminals, Burke and Hare--killing people from the streets and selling their bodies to medical schools. Then Kiera's past--a past she thought she'd finally made peace with--rises up to haunt her. All of London is horrified by the evidence that "burkers" are, indeed, at work in their city. The terrified populace hovers on a knife's edge, ready to take their enmity out on any likely suspect. And when Kiera receives a letter of blackmail, threatening to divulge details about her late anatomist husband's involvement with the body snatchers and wrongfully implicate her, she begins to apprehend just how precarious her situation is. Not only for herself, but also her new husband and investigative partner, Sebastian Gage, and their unborn child. Meanwhile, the young scion of a noble family has been found murdered a block from his home, and the man's family wants Kiera and Gage to investigate. Is it a failed attempt by the London burkers, having left the body behind, or the crime of someone much closer to home? Someone who stalks the privileged, using the uproar over the burkers to cover his own dark deeds?

A princess isn’t supposed to fall for an evil sorceress. But in this “bewitching and fascinating” (Tamora Pierce) retelling of “Sleeping Beauty,” true love is more than a simple fairy tale. “Walter’s spellbinding debut is for all the queer girls and women who’ve been told to keep their gifts hidden and for those yearning to defy gravity.”—O: The Oprah Magazine Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss. You’ve heard this before, haven’t you? The handsome prince. The happily ever after. Utter nonsense. Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either. Until I met her. Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though a power like mine was responsible for her curse. But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps together we could forge a new world. Nonsense again. Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I— I am the villain. Book One of the Malice Duology