When Ashok Alexander left a high-profile corporate job to head Avahan, the Bill & Melinda Gates Foundation's programme to stem the growth of the HIV epidemic in India, he was plunged into an India far removed from the comfort zones he had lived and worked in all his life. It was a grinding place where women sold themselves for fifty rupees and fourteen-year-olds injected drugs. It was the shadow world of transgenders and of young gay men in a country that still criminalized same-sex love. It was the strange world of truckers, lonely journeymen along forgotten highways. Above all, it was a place where valiant battles for a barely decent life were being fought every day. During the ten years Alexander built Avahan, it grew to become one of the largest and most successful HIV prevention programmes in the world, credited with averting over 6. 5 lakh new infections.

How does a privileged, eighteen year old end up in prison, convicted of one of the rarest of crimes--matricide? The literary nonfiction Stranger to the Truth explores the fatal intersection in the lives of Noura Jackson, her circle of dissolute Memphis friends, and the death of Nouras mother, Jennifer, on the eve of a popular outdoor festival. The brutal attack seemed to reflect personal and exponential rage. Tragedy stalked Noura. Her father was fatally shot when she was seventeen. A mystery never solved. A year later an auto accident claimed her best friend. Both mother and daughter were reeling from shock, grief, and confusion. The tension between them escalated until Nouras difficult teenage years yielded to something much darker. More than a whodunit, this fact-based account tells a spellbinding tale of impetuous youth and a single parent who too late assumes the role of disciplinarian, saying no to the demands of her daughter who will not listen. Weaving multiple points of view, back stories, and extensive research, Stranger to the Truth corrals a timely, complex story in an absorbing narrative. Praise for Stranger to the Truth In Stranger to the Truth, Ms. Hickman has taken a local tragedy and, with eloquence and empathy, given it universal application. The reader will find not only a gripping story, but also a moving exploration of the shadows that dwell within us all. --Howard Bahr, author of The Black Flower, The Year of Jubilo, and The Judas Field

World Relief staffers Matthew Soerens and Jenny Yang move beyond the rhetoric to offer a Christian response to immigration. With careful historical understanding and thoughtful policy analysis, they debunk myths about immigration, show the limits of the current immigration system, and offer concrete ways for you to welcome and minister to your immigrant neighbors.

Margaret can’t wait to see her family, but her homecoming is not what she expected. Traveling to be reunited with her family in the arctic, 10-year-old Margaret Pokiak can hardly contain her excitement. It’s been two years since her parents delivered her to the school run by the dark-cloaked nuns and brothers. Coming ashore, Margaret spots her family, but her mother barely recognizes her, screaming, “Not my girl.” Margaret realizes she is now marked as an outsider. And Margaret is an outsider: she has forgotten the language and stories of her people, and she can’t even stomach the food her mother prepares. However, Margaret gradually relearns her language and her family’s way of living. Along the way, she discovers how important it is to remain true to the ways of her people—and to herself. Highlighted by archival photos and striking artwork, this first-person account of a young girl’s struggle to find her place will inspire young readers to ask what it means to belong.

Malcolm Gladwell, host of the podcast Revisionist History and author of the #1 New York Times bestseller Outliers, offers a powerful examination of our interactions with strangers and why they often go wrong—now with a new afterword by the author. A Best Book of the Year: The Financial Times, Bloomberg, Chicago Tribune, and Detroit Free Press How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to one another that isn’t true? Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news. He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland—throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.

NEW YORK TIMES BESTSELLER • The remarkable true story of a man who lived alone in the woods of Maine for 27 years, making this dream a reality—not out of anger at the world, but simply because he preferred to live on his own. “A meditation on solitude, wildness and survival.” —The Wall Street Journal In 1986, a shy and intelligent twenty-year-old named Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the forest. He would not have a conversation with another human being until nearly three decades later, when he was arrested for stealing food. Living in a tent even through brutal winters, he had survived by his wits and courage, developing ingenious ways to store edibles and water, and to avoid freezing to death. He broke into nearby cottages for food, clothing, reading material, and other provisions, taking only what he needed but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life—why did he leave? what did he learn?—as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.

Using the lens of business history to contextualize the development of an American literary tradition, Truth Stranger than Fiction shows how African American literature and culture greatly influenced the development of realism, which remains one of the most significant genres of writing in the United States. More specifically, Truth Stranger than Fiction traces the influences of generic conventions popularized in slave narratives - such as the use of authenticating details, as well as dialect, and a frank treatment of the human body - in later realist writings. As it unfolds, Truth Stranger than Fiction poses and explores a set of questions about the shifting relationship between literature and culture in the United States from 1830-1930 by focusing on the evolving trend of literary realism. Beginning with the question, 'How might slave narratives - heralded as the first indigenous literature by Theodore Parker - have influenced the development of American Literature?' the book develops connections between an emerging literary marketplace, the rise of the professional writer, and literary realism.