Following the death of her mother, an elderly woman begins to undergo a transfiguration. Her body grows flinty, toughens and crystallises. An Icelandic stonemason she meets in a graveyard becomes her sole confidant. As her inexorable metamorphosis continues, the stories he has to tell of his homeland and its legends begin to resonate. Part of the Storycuts series, this short story was originally published in the collection Little Black Book of Stories.

An unforgettable collection of fairy tales for grownups—from the Booker Prize-winning author of Possession. • “A delight.... provoking and alarming, richly yet tautly rendered.... [She] has the sheer narrative skill to raise the hairs on the back of your neck and make your pulse race.” —The New York Times Book Review Like Hans Christian Andersen and the Brothers Grimm, Isak Dinesen and Angela Carter, A. S. Byatt knows that fairy tales are for adults. And in this ravishing collection she breathes new life into the form. Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women, childhood friends reunited by chance, venture into a dark forest where once, many years before, they saw–or thought they saw–something unspeakable. Another woman, recently bereaved, finds herself slowly but surely turning into stone. A coolly rational ob-gyn has his world pushed off-axis by a waiflike art student with her own ideas about the uses of the body. Spellbinding, witty, lovely, terrifying, the Little Black Book of Stories is Byatt at the height of her craft.

Three delightful stories inspired by a painting of Henri Matisse—from the Booker Prize-winning author of Possession and “a writer of dazzling inventiveness" (Time). "[An] exquisite triptych.... Richly drawn and touches upon things that matter to people." —People These stories celebrate the eye even as they reveal its unexpected proximity to the heart. For if each of A.S. Byatt's narratives is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling—about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being. Beautifully written, intensely observed, The Matisse Stories is fiction of spellbinding authority. "Full of delight and humor.... The Matisse Stories is studded with brilliantly apt images and a fine sense for subtleties of conversation and emotion." —San Francisco Chronicle

In this sequel to 'The Virgin in the Garden, ' in the 1950s, Stephanie Potter, now married to a clergyman, is conflicted about her domestic life and her strivings for intellectual fulfillment; her brilliant sister Frederica eagerly embarks on her academic (and sexual) education at Cambridge University; and their troubled brother Marcus painfully tries to find friendship and love.

The Booker Prize-winning author of Possession presents an extraordinary story set against the backdrop of the 1960s—a turbulent decade of clashing politics, passionate ideals, and shifting sexual roles. At the heart of Babel Tower are two law cases, twin strands of the Establishment's web, that shape the story: a painful divorce and custody suit and the prosecution of an "obscene" book. Frederica, the independent young heroine, is involved in both. She startled her intellectual circle of friends by marrying a young country squire, whose violent streak has now been turned against her. Fleeing to London with their young son, she gets a teaching job in an art school, where she is thrown into the thick of the new decade. Poets and painters are denying the value of the past, fostering dreams of rebellion, which focus around a strange, charismatic figure—the near-naked, unkempt and smelly Jude Mason, with his flowing gray hair, a hippie before his time. We feel the growing unease, the undertones of sex and cruelty. The tension erupts over his novel Babbletower, set in a past revolutionary era, where a band of people retire to a castle to found an ideal community. In this book, as in the courtrooms, as in the art school's haphazard classes and on the committee set up to study "the teaching of language," people function increasingly in groups. Many are obsessed with protecting the young, but the fashionable notion of children as innocent and free slowly comes to seem wishful, and perilous. In Byatt's vision, the presiding genius of the day seems to be a blend of the Marquis de Sade and The Hobbit. Peopled with weird and colorful characters, charted with brilliant, imaginative sympathy, Babel Tower is as comic as it is threatening and bizarre.

The Booker Prize-winning author of Possession delivers a brilliant and thought-provoking novel about the 1960s and how the psychology, science, religion, ethics, and radicalism of the times affected ordinary lives. “Rich, acerbic, wise.... [Byatt] tackles nothing less than what it means to be human.” —Vogue Frederica Potter, a smart, spirited 33-year-old single mother, lucks into a job hosting a groundbreaking television talk show based in London. Meanwhile, in her native Yorkshire where her lover is involved in academic research, the university is planning a prestigious conference on body and mind, and a group of students and agitators is establishing an “anti-university.” And nearby a therapeutic community is beginning to take the shape of a religious cult under the influence of its charismatic religious leader. A Whistling Woman portrays the antic, thrilling, and dangerous period of the late ‘60s as seen through the eyes of a woman whose life is forever changed by her times.

Collected in a single volume for the first time—an unforgettable book of short stories from the Booker Prize-winning author of Possession that explores the fragile ties between generations, the dizzying abyss of loss, and the elaborate memories we construct against it. In this book of short fictions, A.S. Byatt compels us to inhabit other lives and returns us to our own with new knowledge, compassion, and a sense of wonder. "Byatt's stories display all her talents as a novelist, but spiced with an additional friskiness." —Evening Standard