Edgar Award–winner Steve Hamilton takes his acclaimed series to new heights in A Stolen Season. If you thought you knew Alex McKnight and how far he'll go for the people he cares about . . . think again. On a freezing night in Michigan's Upper Peninsula, a night that wouldn't feel so unusual if it weren't the Fourth of July, a boat plows full speed into a line of old railroad pilings in the shallow water of Waishkey Bay. After Alex helps rescue the passengers, he figures he'll never see them again. He couldn't be more wrong. The men he saved are connected to a deadly drug-smuggling syndicate and it's up to Alex to do damage control—and protect the woman he loves—before the cycle of violence comes around full circle.

"A pennant-winning look at baseball at its purest." —Atlanta Journal & Constitution On the field with baseball classics like Men at Work and The Boys of Summer, David Lamb travels the backroads of America to draw a stirring portrait of minor league baseball that will enchant every fan who has ever sat in the bleachers and waited for the crack of the bat. A sixteen-thousand mile journey across America…. A travelogue of minor league teams and the towns that support them… A chronicle of hopes and dreams… Correspondent David Lamb embarks on a trek that captures the triumphs and defeats as thousands of players do all they can to reach the big leagues. In watching the games and riding the roads, Lamb also discovers a nation that breathes baseball, and towns that wrap their own dreams around their teams. Stolen Season is full of unforgettable characters, none more so than Lamb himself, a journalist who has written about and lived baseball his entire life, telling tales with humor and with warmth of a sport that reveals as much about Americans as it does about long summer days and nine glorious innings. "Part love letter, part snapshot, part history, and all-American...this book should be read by anyone who has yet to savor the sounds and delights of a minor-league baseball game." —New York Times Book Review "Thoroughly engaging." —Sporting News "An absorbing, delightful chronicle...at once nostaglic, sharp-eyed, and beautifully crafted." —San Francisco Chronicle

Archaeologist Sarah Baxter just broke one of the biggest rules of time travel: leaving a piece of 21st century equipment in 19th century Regency England. Unfortunately, when she goes back to retrieve it, she makes an even bigger mess of things-resulting in the death of an English Earl. Now his brother is not only out for revenge, but he also has Sarah's device. Which means an entirely different approach is needed. It doesn't occur to the new Earl of Earnston that his charming acquaintance is responsible for his brother's death. He is merely swept away by a passion that threatens his very reputation. Yet he gets the distinct impression that Miss Baxter is hiding something from him. Now Sarah must find a way to steal back her device, hide the truth about the earl's brother and-most importantly- not fall in love...

Adam's life has been ruined by war . . . A veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton.Marianna's has been ruined by men . . . A woman who has had to flee the country after her husband lied to the wrong people.John Philip's by too much money . . . Until he receives a surprise inheritance in the evening of his own life. Rodney Hall, two-times winner of the Miles Franklin Literary Award, presents the story of three people experiencing a period of life they never thought possible, and, perhaps, should never have been granted at all..."Hall looks towards the future in this elegant and hopeful novel, tethering it to a particularly current mood, standing back and waiting for it to take flight." Weekend AustralianPRAISE FOR RODNEY HALL"Reminiscent of both Joyce and Garcia Marquez" Washington Post"Magnificent. So good that you wish you had written it yourself" Salman Rushdie"A wondrous blend of the fabulous and the surreal" The Australian"Brilliant" David Mitchell

The New York Times Bestseller Late one night, a plane lands on a deserted airstrip. Five dead bodies are found there the next morning. And now Vinnie LeBlanc is missing. Vinnie is a member of the Ojibwa Indian tribe and he just might be Alex McKnight's best friend. So Alex can't help but be worried when he disappears. There's a deadly crime war creeping into Michigan's Upper Peninsula, and Alex never would have thought that his friend could be involved. But after an unexpected stranger arrives in town, Alex will soon find out that the stakes are higher than he ever could have imagined. The latest in Steve Hamilton's Edgar Award–winning series, Die a Stranger just might be his boldest book yet.

New York Times Bestselling Author of Die a Stranger Edgar Award–winner Steve Hamilton introduced one of the most compelling characters in modern fiction with Alex McKnight. In Ice Run, Alex finds himself in the middle of a very strange mystery with much greater consequences than he ever anticipated. . . . Alex McKnight is happier than he can remember being in a long time. And it's all because of a woman—Natalie Reynaud, a Canadian police officer. When they take a romantic weekend together at an old luxury hotel, however, they receive an unexpected message—someone has left a hat filled with snow, and a note that reads, "I know who you are." As Alex searches for an explanation, he must face up against a terrible Reynaud family secret, a secret that to this day still drives men to kill.

The English-language debut of one of the most thrilling and accomplished young Mexican writers Winner of the Queen Sofía Spanish Institute's Tanslation Prize Longlisted for the National Book Award Shortlisted for the Booker Prize Winner of the Internationaler Literaturpreis New York Public Library Best Books of 2020 Chicago Public Library Best Book of 2020 The Witch is dead. And the discovery of her corpse has the whole village investigating the murder. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters—inners whom most people would write off as irredeemable—forming a lasting portrait of a damned Mexican village. Like Roberto Bolano’s 2666 or Faulkner’s novels, Hurricane Season takes place in a world saturated with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more and more terrifying the deeper you explore it.