A budding starlet and her handsome-but-moody co-star go from bitter enemies to reluctant partners when they get tangled up in the disappearance of a beautiful young actress in 1930s Hollywood. Eighteen-year-old Henrietta arrives in Los Angeles in 1934 with dreams of trading her boring life for stardom. She’s determined to make it as an actress, despite her family’s doubts and rumors of would-be starlets gone missing. And by the skin of her teeth, she pulls it off! A serendipitous job offer arrives and Henrietta finds herself on a whirlwind publicity tour for a major film role—with a vexingly unpleasant actor tapped by the studio to be her fake boyfriend. But fierce Henrietta has more in common with brooding Declan than she realizes. They both have gifts that they are hiding, for fear of being labeled strange: he is immune to injury and she can speak to ghosts. When the co-stars get tangled up in the disappearance of a beautiful young actress, they go from bitter enemies and pretend lovers to reluctant partners—and possibly even friends. Together, they might be the only people in Hollywood who can do something about these poor missing girls. And in doing so . . . they might just fall in love for real. This whip smart, seductive caper by the author of Murder for the Modern Girl has the perfect combination of romance, vengeance, and a hint of the supernatural, set in the Golden Age of Hollywood. Hand to fans of These Violent Delights and My Lady Jane. A Junior Library Guild Gold Standard Selection

At fourteen, Robert Hutchinson is out of luck. His charm and singing voice can't keep him out of trouble anymore. When he's arrested (again): he's given a choice: die in juvie or become a shadow: the fearless, unstoppable, and top-secret guardian of a Future Important Person, or FIP. With nothing to lose, Hutch accepts. After two gruelling years of training, his FIP is given to him: Ryo Enomoto, front-man of world-famous boy band International. Is this for real? Has he really turned himself into a lethal killing machine... only to become a teen pop sensation?

Barry Squires, Full Tilt takes readers on a romp through the streets of St. John's and into the Squires household, a place where tragedy strikes but love prevails. Derry Girls meets Billy Elliot with an East coast twist. It's 1995. When the Full Tilt Dancers give an inspiring performance at the opening of the new bingo hall, twelve-year-old Finbar (Barry) Squires wants desperately to join the troupe. Led by Father O'Flaherty, the Full Tilt Irish Step Dancers are the most sought-after act in St. John's, Newfoundland (closely followed by popular bagpiper, Alfie Bragg and his Agony Bag). Having watched Riverdance twice, Barry figures he'll nail the audition. And good thing too -- it'd be nice to be known for something other than the port wine stain on his cheek. With questionable talent and an unpredictable temper, Barry's journey to stardom is jeopardized by his parents' refusal to take his dreams seriously. Thankfully, Barry has the support of a lively cast of characters: his ever-present grandmother, Nanny Squires; his adorable baby brother, Gord; an old British rocker named Uneven Steven; a group of geriatrics from the One Step Closer to God Nursing Home; and Saibal, a friend with whom Barry gets up to no good. Told with humor and a healthy dose of irreverence, Barry Squires, Full Tilt is the latest novel by Heather Smith, the award-winning author of The Agony of Bun O’Keefe and Chicken Girl.

Hal Wallis (1898-1986) might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced—Casablanca, Jezebel, Now, Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies)—have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked. Bernard Dick offers the first comprehensive assessment of the producer's incredible career. A former office boy and salesman, Wallis first engaged with the film business as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.

A contemporary YA debut about a Vietnamese-American boy who tries to attain popularity by befriending the most beautiful girl in school, inspired by the Vietnamese-American author's teen experience. Gary Võ is one of the few Vietnamese kids in his school and has been shy for as long as he can remember—being ignored and excluded by his classmates comes with the territory. So when the most popular guy in his grade offers Gary the opportunity to break into his inner circle, Gary jumps at the chance. All he needs to do is steal the prized possession of the most beautiful and untouchable girl they know—Gloria Buenrostro. But as Gary gets to know Gloria, he’s taken in by her authenticity and genuine interest in who he really is. Soon, they’re best friends. Being part of the “in crowd” has always been Gary’s dream, but as he comes closer to achieving infamy, he risks losing the first person who recognizes his true self. Gary must consider if any amount of popularity is worth losing a true friend. YALSA 2024 Best Fiction for Young Adults List SCBWI Golden Kite Award Finalist

This book examines issues of censorship, publicity and teenage fandom in 1950s Britain surrounding a series of controversial Hollywood films: The Wild One, Blackboard Jungle, Rebel Without a Cause, Rock Around the Clock and Jailhouse Rock. It also explores British cinema’s commentary on juvenile delinquency through a re-examination of such British films as The Blue Lamp, Spare the Rod and Serious Charge. Taking a multi-dimensional approach, the book intersects with star studies and social history while reappraising the stardom of Marlon Brando, James Dean and Elvis Presley. By looking at the specific meanings, pleasures and uses British fans derived from these films, it provides a logical and sustained narrative for how Hollywood star images fed into and disrupted British cultural life during a period of unprecedented teenage consumerism.