The J.B. Treatise is a collection of lore and information from the later fifteenth century on a range of topics considered essential learning for anyone aspiring to the English gentry. It has hitherto been known principally by way of an eclectic medley of filler material in the printed Boke of St Albans (1486), but survives in numerous variant forms in twenty-two, mostly unrelated, manuscripts. The treatise’s foremost concerns are hawking and hunting, but it differs from other contemporary treatises on these sports by concentrating on terminology rather than praxis. Much of its information is presented in the form of lists of terms, suggesting that it served mainly as a lexical primer rather than a manual of practical instruction. This study – which includes four major variant texts, explanatory notes, a glossary and complete collations of the ‘J.B.’ lists of collective nouns and carving terms – is the first comprehensive survey of all known versions of the J.B. Treatise, whose contents will be of interest to English medievalists in a range of disciplines, including history, literature and linguistics. This second edition of the J.B. Treatise includes comprehensive updates to the introduction, notes, and glossary to account for new scholarship, including numerous emendations to the OED prompted by lexical evidence presented in the first edition (2003). It also incorporates a revised bibliography and references to new editions of medieval texts.

Handlist to manuscripts in Trinity College Dublin, covering all 79 Middle English prose manuscripts and indexing more than 539 separate items The manuscripts in Trinity College Dublin are predominantly from the library of Archbishop James Ussher (1581-1656). A well-known bibliophile of the sixteenth century, he was also primate of All Ireland and fellow and professor of Trinity College. Following some movement of the collection, it was eventually returned to Trinity College after the Restoration, at the behest of Charles II. It is a significant collection, both in national and international terms, with over 600 manuscripts, 79 of which contain Middle English prose. Among the manuscripts in the collection are several Wycliffite Bibles, and collections of sermons and tracts, some of them unique copies. The collection also contains writings by Richard Rolle, Walter Hilton and William Flete, and copies of Thomas à Kempis's Imitation of Christ, as well as the Pore Caitif and The Cloud of Unknowing, both of which are anonymous. There are several copies of the Brut chronicle, two of which (MSS 489 and 505) are illuminated, translations of Giraldus Cambrensis's Expugnacio Hibernica, and a copy of Robert Bale's Chronicle of London, 1189-1461. Also of note are the various collections of recipes - medical, culinary and alchemical. Dictionary-style items demonstrate the trilingual nature of the Medieval period, with single words being offered in English alongside Anglo-Norman and/or Latin words, or as marginal glosses. Fifteenth-century instructions for the coronation of a King or Queen, hidden among some later material, as well as other unidentified heraldic pieces, suggest that some of the manuscripts may be associated with the office of the Ulster King of Arms. The current handlist covers 79 manuscripts, and indexes more than 539 separate items, offering a significant contribution to the understanding of the cultural world of the Medieval period.

This is the first volume in the trilogy Dictionaries in the English-Speaking World, 1500-1800, which will offer a new history of lexicography in and beyond the early modern British Isles. The volume explores the dictionaries, wordlists, and glossaries that were compiled and read by speakers of English from the end of the Middle Ages to the year 1600. These include the first printed dictionaries in which English words were collected; the dictionaries of Latin used by all educated English-speakers, from young children to Shakespeare to adult royalty; the dictionaries of modern languages that gave English-speakers access to the languages and cultures of continental Europe; dictionaries and wordlists documenting other languages from Armenian to Malagasy to Welsh; and a great variety of specialized English wordlists. No unified history has ever surveyed this vast, lively, and culturally significant lexicographical output before. The guiding principle of the book, and the trilogy, is that a story about dictionaries must also be a story about human beings. John Considine offers a full and sympathetic account of those who compiled and used these works, and those who supported them financially, paying particular attention to records of dictionary use and its traces in surviving copies. The volume will appeal to all those interested in the languages and literary cultures of the sixteenth-century English-speaking world.

Handlist to the rich collection of manuscripts contained in five major libraries across New York, giving a full account of their provenance. This volume provides detailed descriptions of Middle English prose materials found in the Columbia University Rare Book and Manuscripts Library, The Pierpont Morgan Library, The New York Public Library, The New York Academy of Medicine Library, and New York University Bobst Library (Special Collections). The manuscripts tend to be less well known than those in English libraries, with overlooked texts such as the Pseudo-Hildegard Anti-Mendicant Prophecy; The Book of Palmistry; a subject index of legal statutes; culinary and medical recipes; and English instructions to Latin prayers in Books of Hours. Other manuscripts of note include Trevisa's translation of De proprietatibus rerum by Bartholomaeus Anglicus, used as a copy-text for Wynkyn de Worde's first edition printed ca. 1495; and deluxe illustrated manuscripts of The Pilgrimage of the Soul and Ordinances of Chivalry. The introduction to the volume highlights the particular interests of the various collectors and the influences and characteristics underpinning their acquisitions. All but one of the manuscripts described from Columbia University were acquired by George A. Plimpton (1855-1936), whose firm, Ginn and Co., published spelling books. His collection records an interest in the history of education, with MS 258, a primer probably compiled for an English schoolchild, being a highlight. John Pierpont Morgan (1837-1913) specialized in expensive, illustrated manuscripts, aided in his purchases by Belle da Costa Greene, who became the first director of the Morgan Library as a public institution under J.P. Morgan, Jr. Curt F. Bühler became the Keeper of Printed Books at the Morgan in 1934, bequeathing to the Library the manuscripts that he had bought over the years. James Lenox and John Jacob Astor established the New York Public Library, with Lenox donating two Wycliffite Bibles and Astor a third. The New York Academy of Medicine owns two manuscripts relating to the work of the French surgeon Guy de Chauliac.

The essays in this volume provide an up-to-date and authoritative guide to the major prose Middle English authors and genres. Each chapter is written by a leading authority on the subject and offers a succinct account of all relevant literary, history and cultural factors that need to considered, together with bibliographical references. Authors examined include the writers of the Ancrene Wisse, the Katherine Group and the Wohunge Group; Richard Rolle; Walter Hilton; Nicholas Love; Julian of Norwich; Margery Kempe; "Sir John Mandeville"; John Trevisa, Reginald Pecock; and John Fortescue. Genres discussed include romances, saints' lives, letters, sermon literature, historical prose, anonymous devotional writings, Wycliffite prose, and various forms of technical writing. The final chapter examines the treatment of Middle English prose in the first age of print. Contributors: BELLA MILLETT, RALPH HANNA III, AD PUTTER, KANTIK GHOSH, BARRY A. WINDEATT, A.C. SPEARING, IAN HIGGINS, A.S.G. EDWARDS, VINCENT GILLESPIE, HELEN L. SPENCER, ALFRED HIATT, FIONA SOMERSET, HELEN COOPER, GEORGE KEISER, OLIVER S. PICKERING, JAMES SIMPSON, RICHARD BEADLE, ALEXANDRA GILLESPIE.

Romance and the Gentry in Late Medieval England offers a new history of Middle English romance, the most popular genre of secular literature in the English Middle Ages. Michael Johnston argues that many of the romances composed in England from 1350-1500 arose in response to the specific socio-economic concerns of the gentry, the class of English landowners who lacked titles of nobility and hence occupied the lower rungs of the aristocracy. The end of the fourteenth century in England witnessed power devolving to the gentry, who became one of the dominant political and economic forces in provincial society. As Johnston demonstrates, this social change also affected England's literary culture, particularly the composition and readership of romance. Romance and the Gentry in Late Medieval England identifies a series of new topoi in Middle English that responded to the gentry's economic interests. But beyond social history and literary criticism, it also speaks to manuscript studies, showing that most of the codices of the "gentry romances" were produced by those in the immediate employ of the gentry. By bringing together literary criticism and manuscript studies, this book speaks to two scholarly communities often insulated from one another: it invites manuscript scholars to pay closer attention to the cultural resonances of the texts within medieval codices; simultaneously, it encourages literary scholars to be more attentive to the cultural resonances of surviving medieval codices.

As an age-old metaphor for the sexual chase, the hunt provides a uniquely conflicted site for the representation of masculinity. On the one hand, hunting had from ancient times served to define a particular and culturally approved mode of masculinity as heroic, pursuant, and goal-oriented, where success was measured by the achievement of the objectives set: the capture and killing of prey. When applied to love, on the other hand, hunting was inflected quite differently. At first glance, the basic scenario of a male subject pursuing elusive quarry over which he ultimately comes to assert control might seem to epitomise the dynamic of the sexual chase, yet when poets invoke the hunt in an amorous context, this most obvious manifestation of the metaphor is not the one they put to use. On the contrary, in lyric poetry and romance, the hunt metaphor serves to demote or destabilise the masculine subject in some way. The huntsman is routinely a figure of failure: for all his efforts, he either fails to catch what he pursues, catches the wrong thing, ends up being caught by others, or runs round in circles chasing himself. His failure is measured precisely as a shortfall from the cultural ideal. The metaphor of the hunt thus opens up possibilities for exploring definitions of masculinity that deviate from culturally approved models of mastery and power. It shows how limited those models are and offers examples of alternative and counter-cultural versions of a masculine subjectivity that radically query patriarchal stereotypes of gender and class. The hunt has been the subject of increased critical interest over last few years, partly as a result of its politicisation as an issue, as reflected in recent changes to hunting legislation within the UK. Shifting attitudes to the hunt indicate that as a cultural phenomenon it continues to mobilise strong opinion and to activate notions of class and gender identity to this day. Masculinity and the Hunt is a unique study considering the link between hunting and masculinity in the literature of the sixteenth century.