Incisive essays from a master wordsmith Why has Don Juan become so passé of late? What’s the trouble with Ayn Rand? How did the Doge of Venice come to venerate the counterfeit remains of Siddhartha Gautama? Why does the Bentley family’s collection of ancestral relics include a bronzed human thumb? And what, exactly, is the story behind Great Uncle Aloysius, who was born a Quaker but died a pagan? This collection of occasional essays brings us David Bentley Hart at his finest: startlingly clear and deliciously abstruse, coolly wise and burningly witty, fresh and timeless, mystical and concrete — often all at once. Hart’s incisive blend of philosophy, moral theology, and cultural criticism, together with his flair for both the well-told story and the well-turned phrase, is sure to delight.

Incisive essays from a master wordsmith Why has Don Juan become so pass of late? What's the trouble with Ayn Rand? How did the Doge of Venice come to venerate the counterfeit remains of Siddhartha Gautama? Why does the Bentley family's collection of ancestral relics include a bronzed human thumb? And what, exactly, is the story behind Great Uncle Aloysius, who was born a Quaker but died a pagan? This collection of occasional essays brings us David Bentley Hart at his finest: startlingly clear and deliciously abstruse, coolly wise and burningly witty, fresh and timeless, mystical and concrete -- often all at once. Hart's incisive blend of philosophy, moral theology, and cultural criticism, together with his flair for both the well-told story and the well-turned phrase, is sure to delight.

51 Essays on Books, Authors, Words, Politics, et al. And an annotated reading list of 30 favorite books "for a very long trip."

As news reports of the horrific December 2004 tsunami in Asia reached the rest of the world, commentators were quick to seize upon the disaster as proof of either God s power or God s nonexistence, asking over and over, How could a good and loving God if such exists allow such suffering? In The Doors of the Sea David Bentley Hart speaks at once to those skeptical of Christian faith and to those who use their Christian faith to rationalize senseless human suffering. He calls both to recognize in the worst catastrophes not the providential will of God but rather the ongoing struggle between the rebellious powers that enslave the world and the God who loves it wholly.

Rowan Williams says that David Bentley Hart "can always be relied on to offer a perspective on the Christian faith that is both profound and unexpected." The Hidden and the Manifest, a new collection of this brilliant scholar's work, contains twenty essays by Hart on theology and metaphysics. Spanning Hart's career both topically and over time, these essays cover such subjects as the Orthodox understanding of Eucharistic sacrifice; the metaphysics of Paradise Lost; Christianity, modernity, and freedom; death, final judgment, and the meaning of life; and many more.

Brilliant scholar and wordsmith David Bentley Hart turns his mind and imagination to narrative fiction in this volume, The Devil and Pierre Gernet, a thought-provoking collection of four short stories and one novella. Anticipating questions about his shift in genre, Hart writes that "God is no more likely (and probably a good deal less likely) to be found in theology than in poetry and fiction." These stories -- "The Devil and Pierre Gernet," "The House of Apollo," "A Voice from the Emerald World," "The Ivory Gate," and "The Other" -- beguile and entrance the reader through Hart's engrossing, opulent writing style and the complex characters he evokes and explores. Often bedazzling, sometimes heartbreaking, and ultimately mesmerizing, Hart's wide-ranging stories are united by a common thread of haunting religious and philosophical questions about this life and the next. Here is fiction to fully engage both the mind and the heart.

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.