This economic and social history assesses the impact of the coastal wine and brandy trade on the early modern French, Dutch, and Atlantic economies, and highlights the importance of interconnecting personal networks of Dutch, Sephardic Jewish, and New Christian merchants.

European Gothic: A Spirited Exchange 1760-1960 sets out to challenge the tyranny of the Anglo-American narratives that have dominated critical histories of the Gothic so far. It argues that the Gothic novel did not simply derive from The Castle of Otranto, but that it has been forged in the crucible of translation. Focussing on Gothic writing in English, French, German, Russian and Spanish, the collection charts a rich process of cross-fertilization and, in particular, examines the importance of Anglo-French exchanges in the development of the Gothic novel within Europe and, subsequently, the US.

The Incarnality of Being addresses Martin Heidegger's tendency to neglect the problem of the body, an omission that is further reflected in the field of Heidegger scholarship. By addressing the corporeal dimension of human existence, author Frank Schalow uncovers Heidegger's concern for the materiality of the world. This allows for the ecological implications of Heidegger's thought to emerge, specifically, the kinship between humans and animals and the mutual interest each has for preserving the environment and the earth. By advancing the theme of the "incarnality of being," Schalow brings Heidegger's thinking to bear on various provocative questions concerning contemporary philosophy: sexuality, the intersection of human and animal life, the precarious future of the earth we inhabit, and the significance that reclaiming our embodiment has upon ethics and politics.

Using cutting-edge theory regarding trade networks and diaspora, this book offers an innovative analysis of Sephardic merchants in 17th c. Amsterdam’s trade. Challenging views that Sephardic success stemmed from endogamous business relationships, it shows that Sephardic merchants traded with non-Sephardim.

'It is time to die, Madame: there shall be no mercy for you..!' It was one of the most shocking crimes of the seventeenth century, and would provide Sade with the inspiration for the last novel he published. The beautiful and virtuous Euphrasie, admired by the King himself, falls in love with the young and handsome Alphonse, Marquis de Gange. Within the forbidding walls of his castle in Provence, however, sinister forces are conspiring against the young couple. Alphonse's brothers, the Abbé and the Chevalier, want Euphrasie for themselves. Published in English for the first time, The Marquise de Gange is a neglected Gothic classic by one of the most notorious authors in the literary canon. Although a departure from his earlier pornographic and libertine works, beneath the novel's thin veneer of respectability lurks the same subversive presence of an author plotting against virtue in distress.

Given that the dissemination of enlightened thought in Europe was mostly effected through translations, the present collection of essays focuses on how its cultural adaptation took place in various national contexts. For the first time, the theoretical model of ‘cultural transfer’ (Espagne/Werner) is applied to the eighteenth century: The intercultural dynamics of the Enlightenment become manifest in the transformation process between the original and target cultures, be it by way of acculturation, creative enhancement, or misunderstanding. Resulting in shifts of meaning, translations offer a key not just to contemporary translation practice but to the discursive network of the European Enlightenment in general. The case studies united here explore both how translations contributed to the transnational standardisation of certain key concepts, values and texts, and how they reflect national specifications of enlightened discourses. Hence, the volume contributes to Enlightenment studies, at least as much as to historical translation studies.

“A lively, entertaining blend of murder mystery and supernatural adventure . . . Arthur Conan Doyle would have approved.”—George R. R. Martin Sherlock Holmes meets Penny Dreadful in the debut of a delightful Victorian-era fantasy series from John W. Campbell Award winner Lisa Tuttle. Has there ever been a more unlikely pair of consulting detectives than Jesperson and Lane? They certainly make a striking duo: Mr. Jasper Jesperson, with his shock of red hair and seemingly encyclopedic knowledge of all subjects—save common sense—and Miss Lane, whose logical mind is matched only by her fascination with psychic phenomena. Their talents are rare . . . as are their customers. So when Jesperson and Lane are hired to track the nocturnal wanderings of a sleepwalking London business owner, they’re simply happy to be working again. The case begins as a window into the séances and other supernatural parlor games that are so popular these days, and takes a sinister turn as the intrepid investigators pull back the curtain on the cutthroat rivalries underpinning polite society. But after several mediums go missing, it’s clear that Jesperson and Lane are in over their heads. For they’ve uncovered a presence beyond their understanding—an evil force that won’t hesitate to kill in order to achieve its nefarious ends. Praise for The Curious Affair of the Somnambulist & the Psychic Thief “Sleepwalkers, psychics, and the spirits of the dead (or are they?) make for a heady stew in Lisa Tuttle’s latest, The Curious Affair of the Somnambulist & the Psychic Thief, the first full-length novel about Jasper Jesperson and Miss Lane, a dauntless duo of Victorian detectives first introduced in her stories for Down These Strange Streets and Rogues. They’re an entertaining pair, and it’s great to see them back in action in a longer work. Here’s hoping this is only the first in a long series of Lane and Jesperson adventures. Tuttle does a lovely job of putting us back in the foggy streets of Victorian London in this lively, entertaining blend of murder mystery and supernatural adventure. Arthur Conan Doyle would have approved.”—George R. R. Martin