The rural south is a region in which every part of the past is very much its present. Peter Stitt's collection of photographs are an expressive study of a landscape that can be, at times, both particularly straightforward and subtly peculiar. Each image is a contemporary representation of a memory, a feeling, or a meditation on the small towns of the rural South.

Why did the Confederacy lose the Civil War? Most historians point to the larger number of Union troops, for example, or the North's greater industrial might. Now, in The South Vs. the South, one of America's leading authorities on the Civil War era offers an entirely new answer to this question. William Freehling argues that anti-Confederate Southerners--specifically, border state whites and southern blacks--helped cost the Confederacy the war. White men in such border states as Missouri, Kentucky, and Maryland, Freehling points out, were divided in their loyalties--but far more joined the Union army (or simply stayed home) than marched off in Confederate gray. If they had enlisted as rebel troops in the same proportion as white men did farther south, their numbers would have offset all the Confederate casualties during four years of war. In addition, when those states stayed loyal, the vast majority of the South's urban population and industrial capacity remained in Union hands. And many forget, Freehling writes, that the slaves' own decisions led to a series of white decisions (culminating in the Emancipation Proclamation) that turned federal forces into an army of liberation, depriving the South of labor and adding essential troops to the blue ranks. Whether revising our conception of slavery or of Abraham Lincoln, or establishing the antecedents of Martin Luther King, or analyzing Union military strategy, or uncovering new meanings in what is arguably America's greatest piece of sculpture, Augustus St.-Gaudens' Shaw Memorial, Freehling writes with piercing insight and rhetorical verve. Concise and provocative, The South Vs. the South will forever change the way we view the Civil War.

Gathers poems by writers from South Africa, Zimbabwe, Swaziland, Mozambique, Angola, Malawi, Namibia, and Zambia.

This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies and the history of storytelling in America.

"Surveys the revivification and reinvention of southern culture and literature, and the influence of the Agrarians, Fugitives, New Critics, and popular writers, including John Gould Fletcher, Robert Penn Warren, Monroe K. Spears, Walter Sullivan, William Faulkner, Tennessee Williams, William Humphrey, and Cormac McCarthy"--Provided by publisher.

The Southern Strategy was but one in a series of decisions the GOP made not just on race, but on feminism and religion as well, in what Angie Maxwell and Todd Shields call the "Long Southern Strategy." The Southern Strategy is traditionally understood as a Goldwater and Nixon-era effort by the Republican Party to win over disaffected white voters in the Democratic stronghold of the American South. To realign these voters with the GOP, the party abandoned its past support for civil rights and used racially coded language to capitalize on southern white racial angst. However, that decision was but one in a series of decisions the GOP made not just on race, but on feminism and religion as well, in what Angie Maxwell and Todd Shields call the "Long Southern Strategy." In the wake of Second-Wave Feminism, the GOP dropped the Equal Rights Amendment from its platform and promoted traditional gender roles in an effort to appeal to anti-feminist white southerners, particularly women. And when the leadership of the Southern Baptist Convention became increasingly fundamentalist and politically active, the GOP tied its fate to the Christian Right. With original, extensive data on national and regional opinions and voting behavior, Maxwell and Shields show why all three of those decisions were necessary for the South to turn from blue to red. To make inroads in the South, however, GOP politicians not only had to take these positions, but they also had to sell them with a southern "accent." Republicans embodied southern white culture by emphasizing an "us vs. them" outlook, preaching absolutes, accusing the media of bias, prioritizing identity over the economy, encouraging defensiveness, and championing a politics of retribution. In doing so, the GOP nationalized southern white identity, rebranded itself to the country at large, and fundamentally altered the vision and tone of American politics.

Material Devotion in a South Indian Poetic World contributes new methods for the study and interpretation of material religion found within literary landscapes. The poets of Hindu devotion are known for their intimate celebration of deities, and while verses over a thousand years old are still treasured, translated, and performed, little attention has been paid to the evocative sensorial worlds referenced by these literary compositions. This book offers a material interpretation of an understudied poem that defined an entire genre of South Asian literature -Tirukkovaiyar-the 9th-century Tamil poem dedicated to Shiva. The poetry of Tamil South India invites travel across real and imagined geography, naming royal patrons, ancient temple towns, and natural landscapes. Leah Elizabeth Comeau locates the materiality of devotion to Shiva in a world unique to the South Indian vernacular and yet captivating to audiences across time, place, and tradition.