The novels of Gail Godwin are contemporary classics -- evocative, powerfully affecting, beautifully crafted fiction alive with endearing, unforgettable characters. Her critically acclaimed work has placed her among the ranks of Eudora Welty, Pat Conroy, and Carson McCullers, firmly establishing Godwin as a Southern literary novelist for the ages. In A Southern Famiy, the celebrated author of A Mother and Two Daughters, The Finishing School, and Father Melancholy's Daughter once again explores the shattering dynamics of parents' relationships with their children and themselves. It is the story of the Quick family and the reunion that leads to tragedy -- a masterful tale of anger and pain, of love and hatred, and of the understanding that ultimately heals.

The complex issues of race and politics in nineteenth-century Texas may be nowhere more dramatically embodied than in three generations of the family of Norris Wright Cuney, mulatto labor and political leader. Douglas Hales explores the birthright Cuney received from his white plantation-owner father, Philip Cuney, and the way his heritage played out in the life of his daughter Maud Cuney-Hare. This intergenerational study casts light on the experience of race in the South before Emancipation, after Reconstruction, and in the diaspora that eventually led cultural leaders of African American heritage into the cities of the North. Most Texas history books name Norris Wright Cuney as one of the most influential African American politicians in nineteenth-century Texas, but they tell little about him beyond his elected positions. In The Cuneys, Douglas Hales not only fills in the details of Cuney’s life and contributions but places him in the context of his family’s generations. A politically active plantation owner and slaveholder in Austin County, Philip Cuney participated in the annexation of Texas to the United States and supported the role of slavery and cotton in the developing economy of the new state. Wealthy and powerful, he fathered eight slave children whom he later freed and saw educated. Hales explores how and why Cuney differed from other planters of his time and place. He then turns to the better-known Norris Wright Cuney to study how the black elite worked for political and economic opportunity in the reactionary period that followed Reconstruction in the South. Cuney led the Texas Republican Party in those turbulent years and, through his position as collection of customs at Galveston, distributed federal patronage to both white and black Texans. As the most powerful African American in Texas, and arguably in the entire South, Cuney became the focal point of white hostility, from both Democrats and members of the “Lily White” faction of his own party. His effective leadership won not only continued office for him but also a position of power within the Republican Party for Texas blacks at a time when the party of Lincoln repudiated African Americans in many other Southern states. From his position on the Galveston City Council, Cuney worked tirelessly for African American education and challenged the domination of white labor within the growing unions. Norris Wright Cuney’s daughter, Maud, who was graced with a prestigious education, pursued a successful career in the arts as a concert pianist, musicologist, and playwright. A friend of W. E. B. Du Bois, she became actively involved in the racial uplift movement of the early twentieth century. Hales illuminates her role in the intellectual and political “awakening” of black America that culminated in the Harlem Renaissance of the 1920s. He adroitly explores her decision against “passing” as white and her commitment to uplift. Through these three members of a single mixed-race family, Douglas Hales gives insight into the issues, challenges, and strengths of individuals. His work adds an important chapter to the history of Texas and of African Americans more broadly.

In the years leading up to the Civil War, southern evangelical denominations moved from the fringes to the mainstream of the American South. Scott Stephan argues that female Baptists, Methodists, and Presbyterians played a crucial role in this transformation. While other scholars have pursued studies of southern evangelicalism in the context of churches, meetinghouses, and revivals, Stephan looks at the domestic rituals over which southern women had increasing authority-from consecrating newborns to God's care to ushering dying kin through life's final stages. Laymen and clergymen alike celebrated the contributions of these pious women to the experience and expansion of evangelicalism across the South. This acknowledged domestic authority allowed some women to take on more public roles in the conversion and education of southern youth within churches and academies, although always in the name of family and always cloaked in the language of Christian self-abnegation. At the same time, however, women's work in the name of domestic devotion often put them at odds with slaves, children, or husbands in their households who failed to meet their religious expectations and thereby jeopardized evangelical hopes of heavenly reunification of the family. Stephan uses the journals and correspondence of evangelical women from across the South to understand the interconnectedness of women's personal, family, and public piety. Rather than seeing evangelical women as entirely oppressed or resigned to the limits of their position in a patriarchal slave society, Stephan seeks to capture a sense of what agency was available to women through their moral authority.

Since its original publication in 1987, Like a Family has become a classic in the study of American labor history. Basing their research on a series of extraordinary interviews, letters, and articles from the trade press, the authors uncover the voices and experiences of workers in the Southern cotton mill industry during the 1920s and 1930s. Now with a new afterword, this edition stands as an invaluable contribution to American social history. "The genius of Like a Family lies in its effortless integration of the history of the family--particularly women--into the history of the cotton-mill world.--Ira Berlin, New York Times Book Review "Like a Family is history, folklore, and storytelling all rolled into one. It is a living, revelatory chronicle of life rarely observed by the academe. A powerhouse.--Studs Terkel "Here is labor history in intensely human terms. Neither great impersonal forces nor deadening statistics are allowed to get in the way of people. If students of the New South want both the dimensions and the feel of life and labor in the textile industry, this book will be immensely satisfying.--Choice

By late 1936, the worst years of the Great Depression are over. Wealth has created new opportunities for Minnie: a beautiful home in California, a luxury car, the yearning desire by a handsome lieutenant, and the family's summer retreat, which draws her like a magnet. Secrets abound. A hidden bohemian community of writers, poets, artists, and escapists is scattered across the shifting, coastal dunes near the cottage.In contrast to the seclusion of the cottage, Minnie's screenwriter cousin introduces her to the intrigue and excitement of Hollywood. Dwayne warns her about the "ruthless" characters willing to do anything to satisfy their lust for fame, fortune, and forbidden pleasures.A crisis forces Minnie to return temporarily to the South and the plantation. Hospitality greets her, but her guard remains razor sharp. Some past grudges will only be settled by the gun. Only Minnie's character will determine her future.

In the deep South, where love and hatred run deep and close, dissension often summers just beneath the surface.When a family gathers for a funeral as its old homestead above the waters of Mobile Bay, it must carry out the last wish of the aunt and sister whom it has come to mourn. It is a wish that will unearth a terrible secret, one that will either tear her siblings and their offspring apart or allow them to accept buried memories, wounds , and love. In This and Magic Life, Anne Carroll George has created as brilliant portrait of a Southern family in all its glory, captured in a moment of searing intensity and lyric truth. Rich with wisdom and deep understanding this compelling saga the twentieth century -- and tells a story that is truly timeless.

The “riveting” #1 New York Times bestseller: A true story of three wealthy families and the unbreakable ties of blood (Kirkus Reviews). The first bodies found were those of a feisty millionaire widow and her daughter in their posh Louisville, Kentucky, home. Months later, another wealthy widow and her prominent son and daughter-in-law were found savagely slain in Winston-Salem, North Carolina. Mystified police first suspected a professional in the bizarre gangland-style killings that shattered the quiet tranquility of two well-to-do southern communities. But soon a suspicion grew that turned their focus to family. The Sharps. The Newsoms. The Lynches. The only link between the three families was a beautiful, aristocratic young mother named Susie Sharp Newsom Lynch. Could this former child “princess” and fraternity sweetheart have committed such barbarous crimes? And what about her gun-loving first cousin and lover, Fritz Klenner, son of a nationally renowned doctor? In this tale of three families connected by marriage and murder, of obsessive love and bitter custody battles, Jerry Bledsoe recounts the shocking events that ultimately took nine lives, building to a truly horrifying climax that will leave you stunned. “Recreates . . . one of the most shocking crimes of recent years.” —Publishers Weekly “Absorbing suspense.” —Chicago Tribune “Astonishing . . . Brilliantly chronicled.” —Detroit Free Press “An engrossing southern gothic sure to delight fans of the true-crime genre. Bledsoe maintains the suspense with a sure hand.” —The Charlotte Observer