This almanac of sound words important to artists and scholars highlights words that expand the way we speak (and write) about sonic experiences. Why write about sound, and how? If sonic philosophy is the attempt "to think about sound by philosophical means," then a metaphilosophical debate appears almost immediately on the horizon: What is called for is an understanding about sound and language, but also about the preconditions of musical understanding. What is at stake is the question of language and sound, as well as expanding how we speak about sonic experience. This almanac tackles these questions from artistic, experimental and personal perspectives. An assemblage of nearly 70 practitioners and theoreticians, artists and scholars offer their favorite 'sound word.' These sound words are onomatopoetical, mythological, practical; words of personal importance to the artists and their craft; words from their memory, related to sound. Many entries are not in English – some are untranslatable – and all are accompanied by a personal, explanatory, poetic entry. These are words that have the potential to change our perspective on listening-musicking-thinking.

A January to December "almanac" of verses and wordplay.

Dan Eltringham is a poet, academic and editor. His poetry and translations have appeared in journals including Colorado Review, E-Ratio, Datableed, Blackbox Manifold, The Goose, The Clearing, Intercapillary Space and Alba Londres 6: Contemporary Mexican Poetry. A chapbook, Ithaca, was published by Dow House Press in 2014. He co-edits Girasol Press and co-runs Electric Arc Furnace, a new poetry readings series in Sheffield.