From Vienna into the World What would Vienna be without the Philharmonic? 175 years have passed since the founding of this world-class orchestra in March of 1842, 175 years in which the musicians have provided their public countless glorious musical experiences. Their inimitable and unmistakable sound has aroused truly rapturous enthusiasm everywhere. Christoph Wagner-Trenkwitz tells us of the milestones in the Philharmonic's history—collaboration with great conductors, the special quality of the "Viennese sound," the daily work of an international orchestra—and in so doing unearths memorable anecdotes from behind the scenes. With extensive illustrations and photographs from the Vienna Philharmonic archive

The Sound Traditions: Studies in Ismaili Texts and Thought is a collection of Ismail K. Poonawala’s articles that examine the origins and development of Ismaili thought.

Based on the author's fieldwork in Ghana with the Asante and Denkyira ivory trumpeters, this book draws on interviews, field recordings, oral traditions, written accounts, archaeological evidence, transcriptions and linguistic analyses to situate the Asante trumpet tradition in historical culture. There are seven ntahera trumpet ensembles in residence at the Asante Manhyia Palace in Kumase, and ntahera trumpets are blown at every Akan court.

In 1959, three writers - all intimately familiar with the Native American culture of their time and locale - collaborated to produce a study entitled 'Religious Customs of Modern Michigan Algonquians'. That study is reproduced here - for the first time in book form - along with a substantive editor's introduction.

This almanac of sound words important to artists and scholars highlights words that expand the way we speak (and write) about sonic experiences. Why write about sound, and how? If sonic philosophy is the attempt "to think about sound by philosophical means," then a metaphilosophical debate appears almost immediately on the horizon: What is called for is an understanding about sound and language, but also about the preconditions of musical understanding. What is at stake is the question of language and sound, as well as expanding how we speak about sonic experience. This almanac tackles these questions from artistic, experimental and personal perspectives. An assemblage of nearly 70 practitioners and theoreticians, artists and scholars offer their favorite 'sound word.' These sound words are onomatopoetical, mythological, practical; words of personal importance to the artists and their craft; words from their memory, related to sound. Many entries are not in English – some are untranslatable – and all are accompanied by a personal, explanatory, poetic entry. These are words that have the potential to change our perspective on listening-musicking-thinking.

The practice of listening to subtle, inner sounds during meditation to concentrate and elevate the mind has a long history in various religions around the world, including Islam, Christianity, Hinduism, Buddhism, Jainism, and Sikhism. Today there are a number of new religious movements that have made listening to the inner sound current a cornerstone of their teachings. These groups include the Radhasoamis, the Divine Light Mission, Eckankar, the Movement of Spiritual Inner Awareness (MSIA), MasterPath, the Sawan-Kirpal Mission, Quan Yin/Ching Hai, Manavta Mandir, ISHA, and a number of others. In this study we provide a historical and comprehensive overview of these movements and how they have incorporated listening to the inner sound as part of their spiritual discipline. We are particularly interested in the distinctive and nuanced ways that each group teaches how to listen to the inner sound current and how they interpret it in their own unique theologies.