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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from A Somerset Sketch-Book ON the northern side of Mendip there is a narrow valley winding inland a long way, very little above sea-level; on the other side there is a wide plain, equally low, stretching to the sea, and in the middle of this the Mend Hills rise sheer up like a wall into the sky. 80 steep is their ascent that looking across the valley you are inclined to wonder how any wheeled thing ever gets up there, and indeed how the houses manage to cling to the sides without sliding down altogether. The fairy-tales of our youth used to tell of a hill of glass which had to be crossed by the bold adventurer; in winter the sides of Mendip are rather like that enchanted mountain. And when you do get to the top, past the house where the bladder-fern grows, the place looks as if, though not actually fairyland, it were very near the borders thereof. Mendip is a great tableland, bare and wide, a lonely, windy place of rolling fields and long walls of mortarless grey stone, and there is always a great deal more sky than anything else to be seen there, because until you get near the edge of the plateau you cannot see the country below at all. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The archaeology and history of Somerset based on images of the county by Victor Ambrus

This poignant and heartwarming story explores the many faces of sadness and addresses the importance of mental health in a child-friendly way. A small boy creates a shelter for his sadness so that he can visit it whenever he needs to, and the two of them can cry, talk, or just sit. The boy knows that one day his sadness may come out of the shelter, and together they will look out at the world and see how beautiful it is. In this timely consideration of emotional wellbeing, Anne Booth has created a beautiful depiction of allowing time and attention for difficult feelings. Stunningly atmospheric illustrations by David Litchfield personify sadness as a living being, allowing young readers to more easily connect with the story's themes of emotional literacy.

When the renowned American businessman, Jim Thompson, disappeared on Easter Sunday 1967 in mysterious circumstances, the legend of this extraordinarily gifted designer and entrepreneur began. During a period of two decades, he had developed silk making from being a static village craft into a dynamic textile industry providing exquisite silks for both the Thai domestic and international markets. The house he built in Bangkok is a work of art in itself, furnished with his superb collection of Asian antiques and artefacts. Somerset Maugham was to write after on of Thompson's enchanting dinner parties, "You have not only beautiful things, but what is rarer you have arranged them with faultless taste." This attractive book portrays the world of Jim Thompson with annotated sketches and fine watercolor paintings - exploring his life story; the house, now a museum; the history of silk; sericulture and silk making; and the company he established which today continues his work, producing some of the world's finest fabrics and designs.