From award-winning author Josh Lanyon comes a standalone romantic mystery that will keep you on the edge of your seat! Dead men tell no tales, so reporter Nathan Doyle’s just going to have to get to the bottom of a murder himself—if the police Lieutenant doesn’t get him first.Los Angeles, 1943 Reporter Nathan Doyle had his reasons to want Phil Arlen dead, but when he sees the man’s body pulled from the La Brea tar pit, he knows he’ll be the prime suspect. He also knows that his life won’t stand up to intense police scrutiny, so he sets out to crack the case himself. Lieutenant Matthew Spain’s official inquiries soon lead him to believe that Nathan knows more than he’s saying. But that’s not the only reason Matt takes notice of the handsome journalist. Matt’s been drawn to men before, but he must hide his true feelings—or risk his entire career. As Nathan digs deeper, it becomes increasingly difficult to stay one step ahead of Matt Spain—and to deny his intense attraction to him. Nathan’s secrets may not include murder, but has his hunt put him right in the path of the real killer? Previously published. Fair Game Fair Play Fair Chance Murder Takes the High Road Stranger on the Shore Jefferson Blythe, Esquire Icecapade Lone Star

For Grimwood Streep, life at Dunnydark Hall has lost some of its sparkle. The cook produces nothing but mulligatawny soup for breakfast, lunch and tea. His butler needs dusting, and he hasn’t had a visitor since 1977. But things are about to change. One sunny morning, a boy arrives, and life will never be the same again. A Boy Arrives is a gentle, funny and touching story to delight children and adults alike. Longlisted for The Times/Chicken House Best Children’s Book.

"For more than half a century, the extraordinary range of vocabularies and styles in Joyce's Ulysses has been an object of critical and scholarly attention. For the better part of a decade, R. W. Dent has been gathering documentation on a single aspect of this work, what may loosely be called the "colloquial language." The result of this research, Colloquial Language in Ulysses, as its subtitle implies, is essentially a reference tool. It uses "colloquial" in the ordinary sense, "characteristic of or appropriate to the spoken language or to writing that seeks the effect of speech; informal." Taking heart in the fact that the Oxford English Dictionary and Eric Partridge's Dictionary of Slang and Unconventional English frequently disagree on the matter, Dent includes as colloquial a great deal that purists might question or disallow." "For the most part, this work provides raw, useful data for Ulysses critics and scholars, but it rarely attempts to perform the work of literary critics. It will make users aware both of new information and of information already available in such reference works as the recently revised OED, for many users not readily accessible. Like the OED itself it is necessarily a work-in-progress, especially in its efforts to provide pre-Ulysses evidence, but it is abundantly useful in its present state." "Most entries supplement - and many correct - entries in its principal predecessor, Don Gifford's Ulysses Annotated. Colloquial Language in Ulysses attempts to include all colloquial expressions on which Gifford is seriously inadequate, questionable, or demonstrably mistaken, and all on which the 1988 edition differs substantially from the earlier edition of 1974."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A fun and engaging way to learn and understand English idioms Idioms are expressions that are used every day but don’t mean what the words seem to indicate. No spring chicken, for example, has nothing to do with chickens. Rather, it means not being young any more. Teacher Josh: English Idioms explains what 300 of the most widely used English idioms mean in an easy-to-learn, memorable way. The entry for each idiom features a cartoon that depicts how it is used, plus an example and explanation in English and Mandarin. Readers can also scan a QR code to access a funny video by Teacher Josh, further explaining the idiom in Chinese and English.

A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.

Perhaps the first truly important book about the divergence of American English from its British roots, this survey of the language as it was spoken-and as it was changing-at the beginning of the 20th century comes via one of its most inveterate watchers, journalist, critic, and editor HENRY LOUIS MENCKEN (1880-1956).In this replica of the 1921 "revised and enlarged" second edition, Mencken turns his keen ear on: • the general character of American English • loan-words and non-English influences • expletives and forbidden words • American slang • the future of the language • and much, much more. Anyone fascinated by words will find this a thoroughly enthralling look at the most changeable language on the face of the planet.