Chechnya, a 6,000-square-mile corner of the northern Caucasus, has struggled under Russian domination for centuries. The region declared its independence in 1991, leading to a brutal war, Russian withdrawal, and subsequent "governance" by bandits and warlords. A series of apartment building attacks in Moscow in 1999, allegedly orchestrated by a rebel faction, reignited the war, which continues to rage today. Russia has gone to great lengths to keep journalists from reporting on the conflict; consequently, few people outside the region understand its scale and the atrocities—described by eyewitnesses as comparable to those discovered in Bosnia—committed there. Anna Politkovskaya, a correspondent for the liberal Moscow newspaper Novaya gazeta, was the only journalist to have constant access to the region. Her international stature and reputation for honesty among the Chechens allowed her to continue to report to the world the brutal tactics of Russia's leaders used to quell the uprisings. A Small Corner of Hell: Dispatches from Chechnya is her second book on this bloody and prolonged war. More than a collection of articles and columns, A Small Corner of Hell offers a rare insider's view of life in Chechnya over the past years. Centered on stories of those caught-literally-in the crossfire of the conflict, her book recounts the horrors of living in the midst of the war, examines how the war has affected Russian society, and takes a hard look at how people on both sides are profiting from it, from the guards who accept bribes from Chechens out after curfew to the United Nations. Politkovskaya's unflinching honesty and her courage in speaking truth to power combine here to produce a powerful account of what is acknowledged as one of the most dangerous and least understood conflicts on the planet. Anna Politkovskaya was assassinated in Moscow on October 7, 2006. "The murder of the journalist Anna Politkovskaya leaves a terrible silence in Russia and an information void about a dark realm that we need to know more about. No one else reported as she did on the Russian north Caucasus and the abuse of human rights there. Her reports made for difficult reading—and Politkovskaya only got where she did by being one of life's difficult people."—Thomas de Waal, Guardian

"The best book to have been written about the Vietnam War" (The New York Times Book Review); an instant classic straight from the front lines. From its terrifying opening pages to its final eloquent words, Dispatches makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time. Dispatches is among the most blistering and compassionate accounts of war in our literature.

A collection of final dispatches by the famed journalist, including the first translation of the work that may have led to her murder Anna Politkovskaya won international fame for her courageous reporting. Is Journalism Worth Dying For? is a long-awaited collection of her final writing. Beginning with a brief introduction by the author about her pariah status, the book contains essays that characterize the self-effacing Politkovskaya more fully than she allowed in her other books. From deeply personal statements about the nature of journalism, to horrendous reports from Chechnya, to sensitive pieces of memoir, to, finally, the first translation of the series of investigative reports that Politkovskaya was working on at the time of her murder—pieces many believe led to her assassination. Elsewhere, there are illuminating accounts of encounters with leaders including Lionel Jospin, Tony Blair, George W. Bush, and such exiled figures as Boris Berezovsky, Akhmed Zakaev, Vladimir Bukovsky. Additional sections collect Politkovskaya’s non-political writing, revealing her delightful wit, deep humanity, and willingness to engage with the unfamiliar, as well as her deep regrets about the fate of Russia.

I fell into the deepest of holes. I am no one. I awake in a windowless room--naked, filthy, bruised, robbed of my every memory. I feel inexplicably drowned in a sea of hatred and rage. I...don't know who I am. But I know I must escape. This is Matt Wells, hero of The Death List and The Soul Collector, as you've never seen him. Crime writer Matt Wells could never have conjured a plot this twisted--a secretive militia running sick brainwashing experiments in the Maine wilderness, himself a subject. He knows they've been subconsciously feeding him instructions...but for what? Taunted by maddening snatches of a life he can't trust as his own, Matt's piecing it together: three gruesome killings he's blamed for...and a woman...someone from his past he should remember.

The Chechen War was supposed to be over in 1996 after the first Yeltsin campaign, but in the summer of 1999, the new Putin government decided, in their own words, to 'do the job properly'. Before all the bodies of those who had died in the first campaign had been located or identified, many more thousands would be slaughtered in another round of fighting. The first account to be written by a Russian woman, A Dirty War is an edgy and intense study of a conflict that shows no sign of being resolved. Exasperated by the Russian government's attempt to manipulate media coverage of the war, journalist Anna Politkovskaya undertook to go to Chechnya, to make regular reports and keep events in the public eye. In a series of despatches from July 1999 to January 2001 she vividly describes the atrocities and abuses of war, whether it be the corruption endemic in post-Communist Russia, in particular the government and the military, or the spurious arguments and abominable behaviour of the Chechen authorities. In these courageous reports, Politkovskaya excoriates male stupidity and brutality on both sides of the conflict and interviews the civilians whose homes and communities have been laid waste, leaving them nowhere to live, and nothing and no one to believe in.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Akutagawa was one of the towering figures of modern Japanese literature, and is considered the father of the Japanese short story. This paradigmatic selection, which includes the stories that inspired Akira Kurosawa's 1950 film Rashomon, showcases the terrible beauty, cynicism, sublime pain and absurd humour of his writing. 'One never tires of reading and re-reading his best works. The elegantly spare style has a truly spine-tingling brilliance' - Haruki Murakami

Recounts the story of the Chechens' struggle for independence and the Kremlin politics that precipitated it. The authors, both reporters on the scene during the war, trace the history of the conflict but focus on the military and political events of the war itself. They conclude with a discussion of the birth of an independent Chechnya. Several maps and a cast of characters are appended. Annotation copyrighted by Book News, Inc., Portland, OR