“An oblique comedy of menace, unsettling, exquisitely wrought and written . . . a complex excursion into the by now familiar Pinter world of mixed reality and fantasy, of human worth and human degradation.” —New York Times Set against the decayed elegance of a house in London’s Hampstead Heath, in No Man’s Land two men face each other over a drink. Do they know each other, or is each performing an elaborate character of recognition? Their ambiguity—and the comedy—intensify with the arrival of two younger men, the one ostensibly a manservant, the other a male secretary. All four inhabit a no man’s land between time present and time remembered, between reality and imagination—a territory which Pinter explores with his characteristic mixture of biting wit, aggression, and anarchic sexuality.

Hailed by The New York Times as "one of the most important playwrights of our day," Harold Pinter is the author of The Birthday Party, The Homecoming, and The Caretaker--just a few of his plays that have become seminal works in our literary canon. In Various Voices, Pinter presents his own selections from over fifty years of prose, poetry, and political writings, offering insight into the man and his oeuvre. Now in paperback, this edition includes recently written new poems and prose. His nonfiction selections span "A Note on Shakespeare" (1950) to "An Interview with Mireia Aragay" (1996); the short stories begin with "Kullus" (1949) and end with "Tess" (2000); and the poetry ranges from "School Life" (1948) to "They All Rang" (1999). The political writings illustrate the lucidity of Pinter's views on human-rights issues.

This comprehensive and authoritative casebook includes cornerstone essays on Pinter's creative process, his politics, film adaptations, and acting career. It also includes a collection of photos found nowhere else that document Pinter's "golden time"--his early acting days in Ireland--, a substantial introduction, a chronology, and bibliography.

Pinter’s World: Pinter and Company is not a full-scale biography but a series of illuminating chapters about Pinter’s life, character, and thought, employing new information found in his “Appointment Diaries,” recent biographical sources such as Simon Gray’s memoirs, and Henry Woolf’s reminiscences in addition to personal discussions with several in Pinter’s world. This book provides a fresh illumination of Pinter’s life and art, his friendships, obsessions, and concerns.Material is arranged around themes, key concerns, Pinter’s activities. Pinter’s meetings and endeavors, for instance, with whom he met and when, when he wrote what and when, and his perspective at the time are documented. This work explores Pinter’s writing: drama, poetry, prose, journalism, and letters, which are here regarded as part of his aesthetic achievement. Pinter’s World: Pinter and Company presents a pointillist portrait of him through examining central concerns in his life. These encompass an obsession with the theater and games; delight in restaurants, demonstrating that Pinter is far removed from the socially awkward isolated figures populating his early work; and the women in Pinter’s world. Other areas examined include Pinter’s political engagement, from his adolescence to his last years, and the literary and other creative influences upon him. This work draws upon consultation of his papers at the British Library, including letters to others, especially close friends with whom he kept close contact for over half a century. These letters should be regarded on par with his other creative accomplishments. Pinter was a fascinating letter writer, whose letters reveal thoughts at the time of writing often in abrupt most colorful idiomatic language. His “Appointment Diaries” cannot reveal what actually occurred during his meetings, but they do provide a guide to what he did on a daily basis and whom he met. Memories from his friends, his professional colleagues, cricket players, and his second wife, Antonia Fraser, illuminate Pinter’s personality and actions. Pinter’s first literary love was poetry and, unlike most other Pinter studies, this one gives attention to his neglected poetic output that often reveals the real Pinter and the enigma that is at the heart of every great artist.

The author formulates here the existence of an anxiety apparatus whose functioning is a part of the ego and the personality structure and illustrates how in attacking this apparatus the ego is attacking itself. An example is given of the workings of the death instinct, and a differentiation is made between the ego's defence mechanisms and other pathological character devices.

Flora and Edward invite the match seller into their home. The match seller is silent; faced with this silence, Edward destroys himself while Flora gains strength, until finally Flora turns Edward out with the tray of matches. The midsummer's day which began with Edward having a 'slight ache' ends in his total disintegration.