Also part of the Cultural China Series, this volume introduces the history and development of the traditional arts and crafts, and how these apply to many fields such as utensil, apparel, furnishings, adornment, entertainment, and commerce. Vivid color illustrations and photographs throughout.

Ever hard-working and resourceful, the Chinese have always explored various raw materials to provide for their daily necessities. In the process, they invented things of practical use (mirrors and umbrellas) and economic value (silk and porcelain). In fact, the porcelain became so well loved that Westerners decided to call the country that produced china 'China'! Today, China's great treasury also contains bronzeware, jade carving, embroidery, ornamental knots, paper cuttings, snuff bottles and face masks. Learn about these interesting details and more: * The Silk Route as well as the Pottery and Porcelain Route of old China. * The multitude of Chinese characters and idioms related to jade. * Bronze artefacts unearthed at Qin burial site.

This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.