The Essays In The Present Volume Are An Effort To Explore How Much The Growth Of Civilizations In India And Iran Owes To What Each Of These Countries Has Received From The Other, And To Bring Out How Much Of Their History We Will Miss If We Overlook The Heritage They Share.

This book is the result of a conference held at the University of California, Irvine, covering the contacts between Iran and India from antiquity to the modern period.

India, Modernity and the Great Divergence is an original and pioneering book about India’s transition towards modernity and the rise of the West. The work examines global entanglements alongside the internal dynamics of 17th to 19th century Mysore and Gujarat in comparison to other regions of Afro-Eurasia. It is an interdisciplinary survey that enriches our historical understanding of South Asia, ranging across the fascinating and intertwined worlds of modernizing rulers, wealthy merchants, curious scholars, utopian poets, industrious peasants and skilled artisans. Bringing together socio-economic and political structures, warfare, techno-scientific innovations, knowledge production and transfer of ideas, this book forces us to rethink the reasons behind the emergence of the modern world.

Religious imaginary is a way of conceiving and structuring the world within the conceptual and imaginative traditions of the religious. Using religious imaginary as a reference, this book analyses temporal ideologies and expressions of historicity in South Asia in the early modern, pre-colonial and early colonial period. Chapters explore the multiple understandings of time and the past that informed the historical imagination in various kinds of literary representations, including historiographical and literary texts, hagiography, and religious canonical literature. The book addresses the contributing forces and comparative implications of the formation of religious and communitarian sensibilities as expressed through the imagination of the past, and suggests how these relate to each other within and across traditions in South Asia. By bringing diverse materials together, this book presents new commonalities and distinctions that inform a larger understanding of how religion and other cultural formations impinge on the concept of temporality, and the representation of it as history.

This is the first full-length history of early Kashmir locating it beyond its regional context, from pre-history to the thirteenth century. Drawing on a variety of sources—including conventional archaeological and literary sources, as well as non-conventional sources like philology, toponym and surnames—it presents a connected history of early Kashmir over the longue duree. It challenges tendencies towards nationalist historiographies of the region by situating it in the context of the shared histories of humanity. The volume will be of great interest to scholars and researchers of history, archaeology, anthropology and South Asian studies.

This volume provides rich insights into workings of the Indian mind arguing that Indian merchants in the medieval and the early modern period were in no way inferior to other traders and Europeans in terms of their commercial operations and business acumen drawing on a wide range of sources. This book throws a new light on growth and development of Asian Trade on Sea and Land unearthing new evidence from Danish and Russian sources.

This book makes an extensive study of the art and culture of Awadh during the Nawabi period (c. 1722-1856), with a focus on the city of Lucknow. The work takes up evidence available in a variety of primary and secondary sources, especially in the Persian and Urdu languages, in its study of visuals and artefacts, as well as performance traditions and craft techniques which are derived from this period. Highlighting the literary milieu of the period, and the developments in the realm of music, painting, architecture and industrial arts, this volume also explores how some of the arts and crafts assumed considerable European colour, and demonstrates how the ethos of the syncretic Indo-Persian culture, the renowned ganga-jamuni tahzib, remained intact.