'Gothic, claustrophobic and wonderfully dark' GUARDIAN 1904. Thomas Bexley, one of the first forensic photographers, is called to the sleepy Welsh village of Dinas Powys. A yound girl by the name of Betsan Tilny has been found murdered in the woodland. But the crime scene appears staged and worse still: the locals are reluctant to help. One night, he develops the crime scene photographs in the cellar of his lodgings. There, he finds a face dimly visible in the photographs - the shadowed spectre of Betsan Tilny. In the days that follow, Thomas senses a growing presence watching him as he tries to uncover what the villagers of Dinas Powys are so intent on keeping secret... The stifling, atmospheric, gothic crime novel following one of the world's first forensic photographers and featuring a killer twist - perfect for fans of The Woman in Black, The Silent Companions, and Little Strangers. **************** Praise for A Shadow on the Lens: 'An intriguing debut' THE TIMES 'A promising debut - gothic, claustrophobic and wonderfully dark' GUARDIAN 'A sparkling debut from a name to watch...You might as well be in another world. This is top notch historical crime fiction, with a dash of the supernatural. A gorgeous book and a riveting tale' David Young

“Mixing a trauma reckoning with dark, apocalyptic fantasy,” a psychological thriller about a teen who faces down demons in an alternate universe (Booklist, starred review). Sixteen-year-old Jack gets drunk and is in the wrong place at the wrong time. He is kidnapped. He escapes, narrowly. The only person he tells is his best friend, Conner. When they arrive in London as planned for summer break, a stranger hands Jack a pair of glasses. Through the lenses, he sees another world called Marbury. There is war in Marbury. It is a desolate and murderous place where Jack is responsible for the survival of two younger boys. Conner is there, too. But he’s trying to kill them. Meanwhile, Jack is falling in love with an English girl, and afraid he’s losing his mind. Andrew Smith has written his most beautiful and personal novel yet, as he explores the nightmarish outer limits of what trauma can do to our bodies and our minds. “An engrossing horror/fantasy hybrid . . . Nightmarish imagery is chillingly effective, and the pacing superbly builds suspense.” —Kirkus Reviews “[The Marbury Lens] will keep readers enthralled with its well-developed characters and unique plot.” —School Library Journal “This bloody and genuinely upsetting book packs an enormous emotional punch.” —Publishers Weekly, starred review “The Marbury Lens crawls inside your head and won’t leave. Scary, creepy, awful and awesome. What a cool book!” —Michael Grant, New York Times–bestselling author of Gone and Hunger “Smith keeps the tension between Marbury and the present-day worlds as taut as the tightrope Jack walks. . . . Just try to put this book down.” —Shelf Awareness

What's in a shadow? Menace, seduction, or salvation? Immaterial but profound, shadows lurk everywhere in literature and the visual arts, signifying everything from the treachery of appearances to the unfathomable power of God. From Plato to Picasso, from Rembrandt to Welles and Warhol, from Lord of the Rings to the latest video game, shadows act as central players in the drama of Western culture. Yet because they work silently, artistic shadows often slip unnoticed past audiences and critics. Conceived as an accessible introduction to this elusive phenomenon, Grasping Shadows is the first book that offers a general theory of how all shadows function in texts and visual media. Arguing that shadow images take shape within a common cultural field where visual and verbal meanings overlap, William Sharpe ranges widely among classic and modern works, revealing the key motifs that link apparently disparate works such as those by Fra Angelico and James Joyce, Clementina Hawarden and Kara Walker, Charles Dickens and Kumi Yamashita. Showing how real-world shadows have shaped the meanings of shadow imagery, Grasping Shadows guides the reader through the techniques used by writers and artists to represent shadows from the Renaissance onward. The last chapter traces how shadows impact the art of the modern city, from Renoir and Zola to film noir and projection systems that capture the shadows of passers-by on streets around the globe. Extending his analysis to contemporary street art, popular songs, billboards, and shadow-theatre, Sharpe demonstrates a practical way to grasp the "dark side" that looms all around us.

Aspiring photographers are always looking for that edge, that fresh point of view to add drama to their images. Photographer Joey L. found his vision early, drawing critical acclaim as a brilliant commercial photographer with a distinctive technical expertise for lighting. In Photographing Shadow and Light, Joey lifts the curtain on his dramatic, creatively fearless approach to portraiture, sharing his personal philosophy and a behind-the-scenes look at 15 striking photo sessions—from personal projects shot in Africa, India, and Brooklyn to commercial shoots for 50 Cent, the Jonas Brothers, and Project Runway All Stars. Joey provides readers with a step-by-step description of how he visualized each shoot, formed meaningful connections with his subjects, and “built” his signature dramatic lighting effects—one light at a time. Featuring more than 85 stunning portraits, detailed lighting diagrams, and a foreword from industry icon David Hobby (aka Strobist), Photographing Shadow and Light shares the creative process behind one of today’s most exciting photography talents, providing serious amateurs and professionals a fresh perspective on creating compelling, professional quality portraits. “Joey Lawrence is . . . the future of photography. Get used to it.” —David Hobby (Strobist) Get inside the images of commercial and fine art portrait photographer Joey L. with this behind-the-lens guide to his fearless approach, creative vision, and signature lighting techniques. Also available as an ebook

As a young girl in Bangalore, Gayathri was surrounded by the fragrance of jasmine and flickering oil lamps, her family protected by gods and goddesses. But as she grew older, demons came forth from dark corners of her idyllic kingdom—with the scariest creatures lurking within her tortured mind. Shadows in the Sun traces Gayathri’s courageous battle with debilitating depression that consumed her from adolescence through marriage and a move to the United States. Her inspiring memoir provides a first-of-its-kind cross-cultural view of mental illness—how it is regarded in India and in America, and how she drew on both her rich Hindu heritage and Western medicine to find healing.

For Matthew Zory, a Cincinnati Symphony Orchestra musician and an award-winning photographer, documenting the historic renovation of Cincinnati Music Hall was a revelation.¿I¿ve played in Music Hall for more than 20 years, but photographing the renovation enabled me to explore parts of the building I¿d never seen before,¿ says Zory, assistant principal bass (Trish and Rick Bryan Chair). ¿Watching work crews uncover the `bones¿ of Music Hall gave me a new appreciation for the incredible craftsmanship that went into the building.¿Zory spent hundreds of hours photographing the hall during its 16-month renovation and is publishing a book featuring some of his favorite shots. Through the Lens: The Remaking of Cincinnati¿s Music Hall, a 272-page limited edition coffee-table book was released in 2018 to high praise.¿I never intended to publish a book,¿ he says. ¿As a matter of fact, I never intended to photograph the entire renovation project. I thought I¿d go in a couple of times, take a few pictures and that would be it. But everything they were doing was so interesting and the light was so fantastic, I kept going back. I posted a lot of photos on Facebook, and people kept asking, `When is the book coming out?¿ It made me realize that other people were as captivated by the project as I was.¿For Zory, whose work has appeared in numerous local galleries, including the Taft Museum, Carnegie Center for the Arts and Wash Park Art, creating a book meant winnowing a portfolio of more than 10,000 photos down to a few hundred for publication. ¿There was so much I wanted to share with people about this project and the people who worked on it,¿ he says. ¿The scale of the project and the workmanship that went into renovating it really was extraordinary. I¿ve tried to capture all of that¿

This is a working camera that pops up from the pages of a book..The book concisely explains--and actively demonstrates--how a structure as humble as a folded piece of paper can tap into the intrinsic properties of light to produce a photograph.The book includes:- a piece of paper folded into a working 4x5" camera- a lightproof bag- 5 sheets of photo-paper "film"- development instructions (from complete DIY to "outsource it")- a foil-stamped cover- a satisfying demonstration of the connection between design & science / structures & functions