Author Grace Irwin recounts the powerful story of historical figure John Newton, who for a time was a sailor on ships engaged in the slave trade and then converted to Christianity at 23, eventually becoming an Anglican cleric and the author of a number of hymns (with poet William Cowper), including "Amazing Grace". Irwin's novel weaves Newton's story using third-person narrative interspersed with imagined dialogue which, fortunately, is skillfully done so as to engage the reader in the story rather than take them out of it.

Born in the racist ante-bellum South, Henriette DeLille felt a lifelong calling to serve the poor but could not enter a holy order because she was an octoroon, part African American.

The first book-length study of household servants and slaves, exploring a visual history over 400 years and four continents The first book-length study of both images of ordinary household workers and their material culture, Household Servants and Slaves: A Visual History, 1300-1700 covers four hundred years and four continents, facilitating a better understanding of the changes in service that occurred as Europe developed a monetary economy, global trade, and colonialism. Diane Wolfthal presents new interpretations of artists including the Limbourg brothers, Albrecht Dürer, Paolo Veronese, and Diego Velázquez, but also explores numerous long-neglected objects, including independent portraits of ordinary servants, servant dolls and their miniature cleaning utensils, and dummy boards, candlesticks, and tablestands in the form of servants and slaves. Wolfthal analyzes the intersection of class, race, and gender while also interrogating the ideology of service, investigating both the material conditions of household workers' lives and the immaterial qualities with which they were associated. If images repeatedly relegated servants to the background, then this book does the reverse: it foregrounds these figures in order to better understand the ideological and aesthetic functions that they served.

A COVER-UP OF BIBLICAL PROPORTIONS... Centuries ago, English translators perpetrated a fraud in the New Testament, and it’s been purposely hidden and covered up ever since. Your own Bible is probably included in the cover-up! In this book, which includes a study guide for personal or group use, John MacArthur unveils the essential and clarifying revelation that may be keeping you from a fulfilling—and correct—relationship with God. It’s powerful. It’s controversial. And with new eyes you’ll see the riches of your salvation in a radically new way. What does it mean to be a Christian the way Jesus defined it? MacArthur says it all boils down to one word: SLAVE “We have been bought with a price. We belong to Christ. We are His own possession.” Endorsements: "Dr. John MacArthur is never afraid to tell the truth and in this book he does just that. The Christian's great privilege is to be the slave of Christ. Dr. MacArthur makes it clear that this is one of the Bible's most succinct ways of describing our discipleship. This is a powerful exposition of Scripture, a convincing corrective to shallow Christianity, a masterful work of pastoral encouragement...a devotional classic." - Dr. R. Albert Mohler, President, The Southern Baptist Theological Seminary "John MacArthur expertly and lucidly explains that Jesus frees us from bondage into a royal slavery that we might be His possession. Those who would be His children must, paradoxically, be willing to be His slaves." - Dr. R.C. Sproul "Dr. John MacArthur's teaching on 'slavery' resonates in the deepest recesses of my 'inner-man.' As an African-American pastor, I have been there. That is why the thought of someone writing about slavery as being a 'God-send' was the most ludicrous, unconscionable thing that I could have ever imagined...until I read this book. Now I see that becoming a slave is a biblical command, completely redefining the idea of freedom in Christ. I don't want to simply be a 'follower' or even just a 'servant'...but a 'slave'." - The Rev. Dr. Dallas H. Wilson, Jr., Vicar, St. John's Episcopal Chapel, Charleston, SC

Chronicles the life of a former slave to James and Dolley Madison, tracing his early years on their plantation, his service in the White House household staff and post-emancipation achievements as a memoirist.

The figure of the mammy occupies a central place in the lore of the Old South and has long been used to ullustrate distinct social phenomena, including racial oppression and class identity. In the early twentieth century, the mammy became immortalized as Aunt Jemima, the spokesperson for a line of ready-mixed breakfast products. Although Aunt Jemima has undergone many makeovers over the years, she apparently has not lost her commercial appeal; her face graces more than forty food products nationwide and she still resonates in some form for millions of Americans. In Slave in a Box, M.M. Manring addresses the vexing question of why the troubling figure of Aunt Jemima has endured in American culture. Manring traces the evolution of the mammy from her roots in the Old South slave reality and mythology, through reinterpretations during Reconstruction and in minstrel shows and turn-of-the-century advertisements, to Aunt Jemima's symbolic role in the Civil Rights movement and her present incarnation as a "working grandmother." We learn how advertising entrepreneur James Webb Young, aided by celebrated illustrator N.C. Wyeth, skillfully tapped into nostalgic 1920s perceptions of the South as a culture of white leisure and black labor. Aunt Jemima's ready-mixed products offered middle-class housewives the next best thing to a black servant: a "slave in a box" that conjured up romantic images of not only the food but also the social hierarchy of the plantation South. The initial success of the Aunt Jemima brand, Manring reveals, was based on a variety of factors, from lingering attempts to reunite the country after the Civil War to marketing strategies around World War I. Her continued appeal in the late twentieth century is a more complex and disturbing phenomenon we may never fully understand. Manring suggests that by documenting Aunt Jemima's fascinating evolution, however, we can learn important lessons about our collective cultural identity.