Based on the life of Marie Dorion, the first mother to cross the Rocky Mountains and remain in the Northwest, A Name of Her Own is the fictionalized adventure account of a real woman’s fight to settle in a new landscape, survive in a nation at war, protect her sons and raise them well and, despite an abusive, alcoholic husband, keep her marriage together. With two rambunctious young sons to raise, Marie Dorion refuses to be left behind in St. Louis when her husband heads West with the Wilson Hunt Astoria expedition of 1811. Faced with hostile landscapes, an untried expedition leader, and her volatile husband, Marie finds that the daring act she hoped would bind her family together may in the end tear them apart. On the journey, Marie meets up with the famous Lewis and Clark interpreter, Sacagawea. Both are Indian women married to mixed-blood men of French Canadian and Indian descent, both are pregnant, both traveled with expeditions led by white men, and both are raising sons in a white world. Together, the women forge a friendship that will strengthen and uphold Marie long after they part, even as she faces the greatest crisis of her life, and as she fights for her family’s very survival with the courage and gritty determination that can only be fueled by a mother’s love.

When Katie Rogers returns to Dundee, Idaho, it's not because she wants to.

A provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry. The names Harry Cohn, William Fox, Carl Laemmle, Louis B. Mayer, Jack and Harry Warner, and Adolph Zucker are giants in the history of contemporary Hollywood, outsiders who dared to invent their own vision of the American Dream. Even to this day, the American values defined largely by the movies of these émigrés endure in American cinema and culture. Who these men were, how they came to dominate Hollywood, and what they gained and lost in the process is the exhilarating story of An Empire of Their Own.

A rich account that combines media-industry history and cultural studies, Their Own Best Creations looks at women writers' contributions to some of the most popular genres of postwar TV: comedy-variety, family sitcom, daytime soap, and suspense anthology. During the 1950s, when the commercial medium of television was still being defined, women writers navigated pressures at work, constructed public personas that reconciled traditional and progressive femininity, and asserted that a woman's point of view was essential to television as an art form. The shows they authored allegorize these professional and personal pressures and articulate a nascent second-wave feminist consciousness. Annie Berke brings to light the long-forgotten and under-studied stories of these women writers and crucially places them in the historical and contemporary record.